Music and Dance Malcolm Todd returns with his silky new RnB single Breathe by Neil Baker 14th March 2026
Film and Television·Film Reviews How to Make a Killing (review) – Patton Ford’s movie is too meek to be a dark drama and too self-conscious to lean into full bleak comedy by Calum Cooper 11th March 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Rebuilding (Glasgow Film Festival) review – Walker-Silverman’s film says little verbally but achieves so much visually and emotionally by Calum Cooper 6th March 2026
Film and Television·Film Reviews Hoppers (review) – an earnest and heartfelt Pixar movie boasting a plethora of colourful characters by Calum Cooper 5th March 2026
Film and Television·Film and TV News·GALECA Dorian Awards·LGBTQ+ Sinners takes a mighty bite out of the GALECA Dorian Film Awards 2026, and Pillion asserts its dominance as LGBTQ+ Film of the Year by Neil Baker 4th March 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews War Through a Child’s Eyes: Au Revoir Les Enfants, Empire of the Sun, The Painted Bird and Come and See by Neil Baker 4th March 2026
Music and Dance Sophia Stel signs with A24 music as she prepares for a headline European and North American tour starting in Barcelona this April by Neil Baker 25th February 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Queen at Sea (Berlinale) review – Hammer’s film is an intimate, haunting and powerful exploration of the complexities of consent by Neil Baker 21st February 2026
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Rosebush Pruning (Berlinale) review – Aïnouz delights in exploring the writhing bed of maggots behind a facade of wealth and beauty by Neil Baker 19th February 2026
Film and Television·Film Reviews Wuthering Heights (review) – Fennell captures the book’s emotional scale, but the lack of subtlety is a double-edged sword by Calum Cooper 10th February 2026
1 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
2 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
3 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
4 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
5 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
6 Tight Lettuce (Fantasia Film Festival) review – when does care become enabling, and who dictates when that line has been crossed? 19th July 2026
7 Pimple (Fantasia Film Festival) review – Alle’s story of a toxic pimple, a sebum monster and bullies about to meet a sticky end is a delight 19th July 2026
8 Royal Court Young Playwrights Award 2026 – less like a competition and more like an investment in the future of British theatre 18th July 2026
9 The Last First Time (review) – an uncompromising and intoxicating portrait of first sex, infatuation, queer joy and escape 17th July 2026
10 FrightFest announces its programme for the 27th edition of the UK’s leading horror & fantasy film festival 16th July 2026
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