Film and Television The Social Reckoning (review): Sorkin’s film is rightfully furious about where we are and where we’re going, but it lacks dramatic punch by Calum Cooper 9th October 2026
Editors' Choice·Film and Television·Rewind TV Choice: From 7 Up to 70 Up, Calum Cooper looks back at the TV experiment that became one of the greatest documentary series ever made by Calum Cooper 2nd October 2026
Editors' Choice·Film and Television Sense and Sensibility (review) – Oakley and Reid’s adaptation flourishes with vivid visuals and ebullient performances by Calum Cooper 23rd September 2026
Film and Television Premature (review): Kevin Walls’ debut feature is rough around the edges, but its sincerity and thematic observations are easy to admire by Calum Cooper 21st September 2026
Film and Arts Festivals·Film and Television Colony (FrightFest) review – a taut atmosphere and a palpable urgency make for a gripping, if rather generic, zombie horror by Calum Cooper 28th August 2026
Film and Television Sour Milk: Eli Roth’s Ice Cream Man – Calum Cooper on one of the most incompetent and vulgar films he has ever seen by Calum Cooper 23rd August 2026
Editors' Choice·Film and Television·LGBTQ+ Teenage Sex and Death at Camp Miasma (review) – a bonkers but brilliant examination of self-identity and the creative process by Calum Cooper 21st August 2026
Editors' Choice·Film and Television Coyote vs. Acme (review) – Green’s movie loves and understands the cartoon formula it’s building on, delivering sturdy entertainment by Calum Cooper 19th August 2026
Film and Television Holy Days (review) – stale comedy and recycled road movie plot beats hold back Boltt’s film from reaching its full potential by Calum Cooper 13th August 2026
Editors' Choice·Film and Television The Summer Book (review) – stubborn to a fault in its metaphorical methodology, yet eloquent, thought-provoking and poignant by Calum Cooper 7th August 2026
1 Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory
2 Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows
3 Franz & Marie (review): Howard and Oakley’s poignant tragedy comes to life through folk music and performance
4 Elsinore (BFI London Film Festival) review: Scott’s powerful performance drives Stone’s exquisite story of Charleson’s Hamlet
5 The Social Reckoning (review): Sorkin’s film is rightfully furious about where we are and where we’re going, but it lacks dramatic punch
6 The Devil Is in Me (BFI London Film Festival) review – Salisbury’s timeless exploration of teenage rebellion is wickedly sharp
7 Bundle (BFI London Film Festival) review – a young man’s world collapses into a suffocating nightmare of no escape in Milillo’s powerful short
8 The Last Snow (BFI London Film Festival) review – a masterclass in using light, colour, and shadow to create nail-biting moments of terror
9 The Last Ship (review) – the vast stage is filled not only by the ship itself, but by the voices of the people who built it
10 A new exhibition exploring the design and production of LAIKA’s new stop-motion film Wildwood opens at the Design Museum this October
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