Editors' Choice·Film and Television·LGBTQ+ Stop! That! Train! (review) – Adam Shankman and RuPaul deliver a gleefully ridiculous, fun and fabulous dramedy packed with cameos by Daisy Grace Greetham 21st August 2026
Film and Television 49 Miles More (review) – Oliver Cox’s heartfelt buddy comedy sees a mismatched duo embark on an unexpected adventure by Daisy Grace Greetham 20th August 2026
Film and Television Harbinger (review) – ultimately dead on arrival, James Crow’s movie is overworked aesthetically and underworked everywhere else by Daisy Grace Greetham 11th August 2026
Editors' Choice·Film and Arts Festivals·Film and Television Blossoming (Locarno Film Festival) review – an intimate portrait of three generations of women by Daisy Grace Greetham 10th August 2026
Film and Television The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment by Daisy Grace Greetham 27th July 2026
Film and Arts Festivals·Film and Television·LGBTQ+ The Wolf (review) – an observational meditation on queer love and life in contemporary China by Daisy Grace Greetham 25th July 2026
Editors' Choice·Film and Television·Rewind The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow by Daisy Grace Greetham 21st July 2026
Editors' Choice·Film and Television·LGBTQ+·Short Films Lady Macbeth Was Never A Girl (review) – McBride and Dart’s film is a soft and thoughtful expression of shifting gender identity by Daisy Grace Greetham 11th July 2026
Editors' Choice·Film and Television·Rewind The Swimmer (1968) rewind review – a searing-hot suburban odyssey to watch this summer by Daisy Grace Greetham 6th July 2026
Arts·Editors' Choice·Film and Television Shoot the People (review) – a reflective documentary that places Misan Harriman in front of the camera by Daisy Grace Greetham 1st July 2026
1 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027 1st September 2026
2 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes 31st August 2026
3 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules 31st August 2026
4 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie 30th August 2026
5 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery 30th August 2026
6 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch 29th August 2026
7 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites 29th August 2026
8 Colony (FrightFest) review – a taut atmosphere and a palpable urgency make for a gripping, if rather generic, zombie horror 28th August 2026
9 Now You See Me Live! (review) – Spectacular and thrilling, this magical show places the audience centre stage as it dazzles and bewitches 27th August 2026
10 The Peter Sellers Collection: From Ealing to British Lion, Studiocanal celebrates Sellers’ arrival on the silver screen with eight restored classics 27th August 2026
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