Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow by Daisy Grace Greetham 21st July 2026
Editors' Choice·Film and Television·Film Reviews·LGBTQ+·Short Films Lady Macbeth Was Never A Girl (review) – McBride and Dart’s film is a soft and thoughtful expression of shifting gender identity by Daisy Grace Greetham 11th July 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews The Swimmer (1968) rewind review – a searing-hot suburban odyssey to watch this summer by Daisy Grace Greetham 6th July 2026
Arts·Editors' Choice·Film and Television·Film Reviews Shoot the People (review) – a reflective documentary that places Misan Harriman in front of the camera by Daisy Grace Greetham 1st July 2026
Arts·Editors' Choice RA Summer Exhibition 2026 (review) – Ryan Gander brings wit, whimsy and connection to the Royal Academy of Arts this season by Daisy Grace Greetham 26th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Hope is a Word (Sheffield DocFest) review – a collective fight for change, rich with poetry, power, and personal stories by Daisy Grace Greetham 20th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Time Machine Maidan (Sheffield DocFest) review – a harrowing documentary that bridges Ukraine’s bloody struggles in haunting detail by Daisy Grace Greetham 18th June 2026
Film and Arts Festivals·Film and Television·Film Reviews Summer of Three (Tribeca Festival) review – a sun-kissed portrait of youth, love and loss in Puerto Rico by Daisy Grace Greetham 8th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Sad Girlz (Tribeca Festival) review – Tovar’s Double Berlinale Winner is a stunning reflection of girlhood and trauma by Daisy Grace Greetham 6th June 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews The Ginger Snaps Trilogy from Second Sight Films (rewind review) – the monstrous cult classics in one brand new Blu-ray collection by Daisy Grace Greetham 30th May 2026
1 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
2 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
3 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
4 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
5 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
6 Tight Lettuce (Fantasia Film Festival) review – when does care become enabling, and who dictates when that line has been crossed? 19th July 2026
7 Pimple (Fantasia Film Festival) review – Alle’s story of a toxic pimple, a sebum monster and bullies about to meet a sticky end is a delight 19th July 2026
8 Royal Court Young Playwrights Award 2026 – less like a competition and more like an investment in the future of British theatre 18th July 2026
9 The Last First Time (review) – an uncompromising and intoxicating portrait of first sex, infatuation, queer joy and escape 17th July 2026
10 FrightFest announces its programme for the 27th edition of the UK’s leading horror & fantasy film festival 16th July 2026
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