Film and Television·Film Reviews·Rewind·Rewind Reviews Harvey (1950) rewind review – Koster’s bittersweet and whimsical film is an undervalued lesson in how to see the world by Daisy Grace Greetham 17th April 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·UK Festivals Satisfaction (BFI Flare) review – Alex Burunova’s feature debut is a meticulously crafted visual and sonic exploration of trauma by Daisy Grace Greetham 23rd March 2026
Editors' Choice·Music and Dance·Music and Dance Reviews HELP(2) album review – War Child Records’ sequel album is a beautiful and urgent call for change by Daisy Grace Greetham 15th March 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·UK Festivals Franz (Kinoteka) review – Agnieszka Holland creates a kaleidoscopic portrait of Franz Kafka’s life and impact by Daisy Grace Greetham 4th March 2026
1 Critically acclaimed Fringe hit Don’t Tell Dad about Diana brings ’90s Dublin, drag and Princess Diana to Underbelly Soho 20th April 2026
2 Filming begins on The Ink Factory’s production of John Le Carré’s Legacy of Spies for BBC and MGM+ 18th April 2026
3 Harvey (1950) rewind review – Koster’s bittersweet and whimsical film is an undervalued lesson in how to see the world 17th April 2026
4 Stand By Me (1986) rewind review – funny, charming, sage and forlorn, Reiner’s film is one of the greatest coming-of-age pictures of all time 17th April 2026
5 Charlotte Regan on the complicated love, family dynamics, female-led storytelling and the visual language of Mint 16th April 2026
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