Film and Television·Film Reviews Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty by Calum Cooper 21st July 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow by Daisy Grace Greetham 21st July 2026
Editors' Choice·Film and Television·Film Reviews The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material by Calum Cooper 19th July 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film and TV News·LGBTQ+·Rewind FrightFest announces its programme for the 27th edition of the UK’s leading horror & fantasy film festival by Neil Baker 16th July 2026
Editors' Choice·Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews Fright Night (1985) rewind review: Holland’s movie is one of the finest comedy-horror films ever to grace the silver screen by Neil Baker 9th July 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews The Swimmer (1968) rewind review – a searing-hot suburban odyssey to watch this summer by Daisy Grace Greetham 6th July 2026
Arts·Editors' Choice·Film and Television·Film Reviews Shoot the People (review) – a reflective documentary that places Misan Harriman in front of the camera by Daisy Grace Greetham 1st July 2026
Film and Television·Film Reviews The Invite (review) – Olivia Wilde’s uproarious film is as quick-witted and heartfelt as it is deliberately uncomfortable by Calum Cooper 28th June 2026
Arts·Editors' Choice·Film and Arts Festivals·LGBTQ+·Music and Dance·Theatre·Theatre News Edinburgh Fringe 2026 Guide (Volume One) by Neil Baker 25th June 2026
Film and Television·Film Reviews Supergirl (review) – Millie Alcock shines in an otherwise shaky continuation of James Gunn’s DCU by Calum Cooper 24th June 2026
1 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
2 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
3 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
4 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
5 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
6 Tight Lettuce (Fantasia Film Festival) review – when does care become enabling, and who dictates when that line has been crossed? 19th July 2026
7 Pimple (Fantasia Film Festival) review – Alle’s story of a toxic pimple, a sebum monster and bullies about to meet a sticky end is a delight 19th July 2026
8 Royal Court Young Playwrights Award 2026 – less like a competition and more like an investment in the future of British theatre 18th July 2026
9 The Last First Time (review) – an uncompromising and intoxicating portrait of first sex, infatuation, queer joy and escape 17th July 2026
10 FrightFest announces its programme for the 27th edition of the UK’s leading horror & fantasy film festival 16th July 2026
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