Editors' Choice·Music and Dance HELP(2) album review – War Child Records’ sequel album is a beautiful and urgent call for change by Daisy Grace Greetham 15th March 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Rebuilding (Glasgow Film Festival) review – Walker-Silverman’s film says little verbally but achieves so much visually and emotionally by Calum Cooper 6th March 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Franz (Kinoteka) review – Agnieszka Holland creates a kaleidoscopic portrait of Franz Kafka’s life and impact by Daisy Grace Greetham 4th March 2026
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews War Through a Child’s Eyes: Au Revoir Les Enfants, Empire of the Sun, The Painted Bird and Come and See by Neil Baker 4th March 2026
Editors' Choice·Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews Turbulent Teens – 16 coming-of-age movies exploring the rollercoaster of adolescence by Neil Baker 27th February 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Sound of Falling (Glasgow Film Festival) review – a hypnotic work of art brimming with compassion and insight by Calum Cooper 27th February 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Rose (Berlinale) review – a haunting folk tale where historical and contemporary discussions on gender identity merge by Neil Baker 23rd February 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Filipiñana (Berlinale) review – Rafael Manuel’s bold debut feature is a sensory adventure in vision and sound by Neil Baker 21st February 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Queen at Sea (Berlinale) review – Hammer’s film is an intimate, haunting and powerful exploration of the complexities of consent by Neil Baker 21st February 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Where To? (Berlinale) review – an assured and poignant exploration of repressed and intergenerational trauma by Neil Baker 20th February 2026
1 Life Support (Sheffield DocFest) review – Daniele Rugo’s documentary should be shown on every big screen across our land and beyond 14th June 2026
2 Saved! (2004) rewind review – Dannelly’s movie is razor sharp in its humour, yet tender in its exploration of love, faith and community 14th June 2026
3 Footloose (1984) rewind review – an early ’80s gift that many mistakenly dismiss as a mere musical jukebox movie 13th June 2026
4 Rose’s House (Sheffield DocFest) review – a historical and contemporary celebration of community, resilience, transformation and change 13th June 2026
5 On the Road (SXSW London) review – Pablos’ unfiltered, charged, and brutally authentic movie is a visceral cinematic experience 12th June 2026
6 Rare Birds (Tribeca Festival) review – Weisberg’s short film is about what it means to be human, and the social barriers that divide us 11th June 2026
7 The Remedy (SXSW London) review – Kahuam’s film is chilling, disturbing, and utterly enthralling 10th June 2026
8 The Last Man (review) – a social and emotional landscape that may be unfamiliar, yet unexpectedly recognisable 10th June 2026
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