Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ On the Road (SXSW London) review – Pablos’ unfiltered, charged, and brutally authentic movie is a visceral cinematic experience by Neil Baker 12th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews The Remedy (SXSW London) review – Kahuam’s film is chilling, disturbing, and utterly enthralling by Neil Baker 10th June 2026
Editors' Choice·Theatre·Theatre Reviews The Last Man (review) – a social and emotional landscape that may be unfamiliar, yet unexpectedly recognisable by Jane Jung 10th June 2026
Editors' Choice·Film and Television·LGBTQ+·TV Kevin’s Series of Unfortunate Events (Tribeca Festival) review – a fabulously flirtatious, farcical and fast-paced delight by Neil Baker 8th June 2026
Editors' Choice·Film and Television·Film Reviews·LGBTQ+·Rewind·Rewind Reviews Hormonal Highs – six hot and heavy films that take us from a dance floor in New York to an isolated Blue Lagoon by Neil Baker 8th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Barrio Triste (SXSW London) review – Stillz’s debut feature leaves you both breathless and disoriented as the credits roll by Neil Baker 6th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Sad Girlz (Tribeca Festival) review – Tovar’s Double Berlinale Winner is a stunning reflection of girlhood and trauma by Daisy Grace Greetham 6th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·Short Films Verse (Tribeca Festival) review – Noam Argov explores the interface between our online and offline worlds in this urgent and timely short film by Neil Baker 6th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·Short Films DISC (Tribeca Festival) review – Blake Rice’s one-night stand short is as acidically sweet as a lemon dipped in sugar by Oscar Aitchison 6th June 2026
Arts·Editors' Choice·Film and Television·Music and Dance·Short Films GENER8ION: VISIONS OF 2034, a new exhibition by Romain Gavras and Surkin to open at 180 Studios, London by Neil Baker 1st June 2026
1 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
2 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
3 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
4 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
5 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
6 Tight Lettuce (Fantasia Film Festival) review – when does care become enabling, and who dictates when that line has been crossed? 19th July 2026
7 Pimple (Fantasia Film Festival) review – Alle’s story of a toxic pimple, a sebum monster and bullies about to meet a sticky end is a delight 19th July 2026
8 Royal Court Young Playwrights Award 2026 – less like a competition and more like an investment in the future of British theatre 18th July 2026
9 The Last First Time (review) – an uncompromising and intoxicating portrait of first sex, infatuation, queer joy and escape 17th July 2026
10 FrightFest announces its programme for the 27th edition of the UK’s leading horror & fantasy film festival 16th July 2026
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