Editors' Choice·Film and Television Tuner (review) – Daniel Roher’s crime-thriller hits all the right notes in all the right places by Neil Baker 31st July 2026
Film and Television The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment by Daisy Grace Greetham 27th July 2026
Film and Television Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty by Calum Cooper 21st July 2026
Editors' Choice·Film and Television·Rewind The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow by Daisy Grace Greetham 21st July 2026
Editors' Choice·Film and Television The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material by Calum Cooper 19th July 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+·Rewind FrightFest announces its programme for the 27th edition of the UK’s leading horror & fantasy film festival by Neil Baker 16th July 2026
Editors' Choice·Film and Television·LGBTQ+·Rewind Fright Night (1985) rewind review: Holland’s movie is one of the finest comedy-horror films ever to grace the silver screen by Neil Baker 9th July 2026
Editors' Choice·Film and Television·Rewind The Swimmer (1968) rewind review – a searing-hot suburban odyssey to watch this summer by Daisy Grace Greetham 6th July 2026
Arts·Editors' Choice·Film and Television Shoot the People (review) – a reflective documentary that places Misan Harriman in front of the camera by Daisy Grace Greetham 1st July 2026
Film and Television The Invite (review) – Olivia Wilde’s uproarious film is as quick-witted and heartfelt as it is deliberately uncomfortable by Calum Cooper 28th June 2026
1 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027 1st September 2026
2 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes 31st August 2026
3 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules 31st August 2026
4 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie 30th August 2026
5 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery 30th August 2026
6 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch 29th August 2026
7 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites 29th August 2026
8 Colony (FrightFest) review – a taut atmosphere and a palpable urgency make for a gripping, if rather generic, zombie horror 28th August 2026
9 Now You See Me Live! (review) – Spectacular and thrilling, this magical show places the audience centre stage as it dazzles and bewitches 27th August 2026
10 The Peter Sellers Collection: From Ealing to British Lion, Studiocanal celebrates Sellers’ arrival on the silver screen with eight restored classics 27th August 2026
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