Queer Horror- Page 3

From transformation and hidden identities to social fears and individual trauma, explore our Queer Horror collection of TV, movies and stage productions.

Film and Television·Rewind

The Haunting (1963) – Hill House becomes a living-breathing metaphor for each character’s neurosis

by Agnes Sajti

27th October 2022

Film and Arts Festivals·Film and Television·LGBTQ+

Bones and All (BFI London Film Festival) review – a cinematic banquet of bone-chilling horror, love and loss

by Neil Baker

24th October 2022

Film and Television·LGBTQ+

Chucky: Season One and Two (review) – a rollercoaster ride of camp horror, gore, comedy and devilishly good performances

by Neil Baker

21st October 2022

Film and Arts Festivals·Film and Television

Living with Chucky (FrightFest) review – a long overdue celebration of the pint-sized killer in dungarees

by Neil Baker

29th August 2022

Film and Arts Festivals·Film and Television·LGBTQ+

Swallowed (review) FrightFest 2022 – Smith’s proudly queer horror will have you squirming in your seat

by Neil Baker

28th August 2022

Film and Arts Festivals·Film and Television·LGBTQ+

Wreck (FrightFest 2022) review – all aboard for Ryan J. Brown’s quacking BBC Three cruise ship slasher

by Neil Baker

26th August 2022

Film and Television·Rewind

Salò, or the 120 Days of Sodom (1975) – Pasolini forces us to face the inherent darkness of the human condition

by Neil Baker

4th October 2021

Film and Television·LGBTQ+

Death Drop Gorgeous (review) – a glittery blood bath of high heels, cocktails and vodka shots

by Neil Baker

19th September 2021

Film and Television·LGBTQ+

Fear Street Trilogy (Netflix) review – Janiak achieves something rare in the teen horror genre: a trilogy of films with no weak instalment

by Neil Baker

2nd July 2021

Film and Television·LGBTQ+·Music and Dance·Rewind·Theatre

LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV

by Neil Baker

6th February 2021

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Queer Horror- Page 3

The Haunting (1963) – Hill House becomes a living-breathing metaphor for each character’s neurosis

Bones and All (BFI London Film Festival) review – a cinematic banquet of bone-chilling horror, love and loss

Chucky: Season One and Two (review) – a rollercoaster ride of camp horror, gore, comedy and devilishly good performances

Living with Chucky (FrightFest) review – a long overdue celebration of the pint-sized killer in dungarees

Swallowed (review) FrightFest 2022 – Smith’s proudly queer horror will have you squirming in your seat

Wreck (FrightFest 2022) review – all aboard for Ryan J. Brown’s quacking BBC Three cruise ship slasher

Death Drop Gorgeous (review) – a glittery blood bath of high heels, cocktails and vodka shots

Fear Street Trilogy (Netflix) review – Janiak achieves something rare in the teen horror genre: a trilogy of films with no weak instalment

LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV

Latest Posts

The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment

The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

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