Editors' Choice·Film and Television·LGBTQ+·Rewind The Lost Boys (1987) rewind review – Schumacher’s Pan-inspired fairground of hormones, heart-racing horror and hilarity is unforgettable by Neil Baker 14th July 2026
Editors' Choice·Film and Television·LGBTQ+·Rewind Fright Night (1985) rewind review: Holland’s movie is one of the finest comedy-horror films ever to grace the silver screen by Neil Baker 9th July 2026
Editors' Choice·Film and Television·LGBTQ+·Rewind Willard (1971) rewind review – Mann explores the psyche of a lost and lonely boy seeking liberation and escape in all the wrong places by Neil Baker 27th April 2026
Editors' Choice·Film and Television·LGBTQ+·Rewind·Theatre The Rocky Horror Picture Show (1975) rewind review – give yourself over to absolute pleasure by Neil Baker 31st October 2025
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ The Holy Boy (BFI London Film Festival) review – a fierce, formidable, and heartbreaking coming-of-age horror by Neil Baker 11th October 2025
Editors' Choice·Film and Arts Festivals·Film and Television Don’t Let the Cat Out (review) – catnip to horror fans who like their films fun, creative and terrifically twisted by Neil Baker 12th April 2025
Film and Arts Festivals·Film and Television·LGBTQ+ Blind Eye (short film) OFN Review – a self-destructive search for approval and perfection by Neil Baker 10th November 2024
Film and Television·Rewind Halloween Night Horrors – ten unmissable fun, freaky, and formidable All Hallows’ Eve movie treats by Neil Baker 30th October 2024
Film and Television·LGBTQ+ Shadows in Mind (review) – Schwab’s film soars above the limitations of its small budget by Neil Baker 2nd September 2024
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Ladybug (FrightFest Review) – Art opens the door to a violent unresolved past in rural Pennsylvania by Neil Baker 27th August 2024
1 Billy Liar (1963) rewind review – Schlesinger’s truly stunning coming-of-age film continues to speak to the experiences of young people today 29th July 2026
2 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
3 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
4 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
5 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
6 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
7 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
8 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
9 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
10 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
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