Browse Tag

Queer Horror

From transformation and hidden identities to social fears and individual trauma, explore our Queer Horror collection of TV, movies and stage productions.

Editors' Choice·Film and Television·LGBTQ+

TV Choice: A summer of suspense, seduction and obsession begins in Ryan Murphy’s adaptation of The Shards by Bret Easton Ellis

by Neil Baker

7th August 2026

Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

by Neil Baker

23rd July 2026

Editors' Choice·Film and Television·LGBTQ+·Rewind

The Lost Boys (1987) rewind review – Schumacher’s Pan-inspired fairground of hormones, heart-racing horror and hilarity is unforgettable

by Neil Baker

14th July 2026

Editors' Choice·Film and Television·LGBTQ+·Rewind

Fright Night (1985) rewind review: Holland’s movie is one of the finest comedy-horror films ever to grace the silver screen

by Neil Baker

9th July 2026

Editors' Choice·Film and Television·LGBTQ+

Mother Mary (review) – a woman trying to reconcile who she is with the version of herself that everyone else seems to recognise

by Yasmine Chan

23rd June 2026

En el camino On the Road SXSW London Review

Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+

On the Road (SXSW London) review – Pablos’ unfiltered, charged, and brutally authentic movie is a visceral cinematic experience

by Neil Baker

12th June 2026

Editors' Choice·Film and Television·LGBTQ+·Rewind

Hormonal Highs – six hot and heavy films that take us from a dance floor in New York to an isolated Blue Lagoon

by Neil Baker

8th June 2026

Editors' Choice·Film and Television·LGBTQ+·Rewind

Willard (1971) rewind review – Mann explores the psyche of a lost and lonely boy seeking liberation and escape in all the wrong places

by Neil Baker

27th April 2026

Editors' Choice·Film and Television·LGBTQ+·Rewind·Theatre

The Rocky Horror Picture Show (1975) rewind review – give yourself over to absolute pleasure

by Neil Baker

31st October 2025

Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+

The Holy Boy (BFI London Film Festival) review – a fierce, formidable, and heartbreaking coming-of-age horror

by Neil Baker

11th October 2025

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Queer Horror

TV Choice: A summer of suspense, seduction and obsession begins in Ryan Murphy’s adaptation of The Shards by Bret Easton Ellis

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

The Lost Boys (1987) rewind review – Schumacher’s Pan-inspired fairground of hormones, heart-racing horror and hilarity is unforgettable

Fright Night (1985) rewind review: Holland’s movie is one of the finest comedy-horror films ever to grace the silver screen

Mother Mary (review) – a woman trying to reconcile who she is with the version of herself that everyone else seems to recognise

Hormonal Highs – six hot and heavy films that take us from a dance floor in New York to an isolated Blue Lagoon

The Rocky Horror Picture Show (1975) rewind review – give yourself over to absolute pleasure

The Holy Boy (BFI London Film Festival) review – a fierce, formidable, and heartbreaking coming-of-age horror

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49 Miles More (review) – Oliver Cox’s heartfelt buddy comedy sees a mismatched duo embark on an unexpected adventure

The Jonathan Larson Project (review) – a celebratory and loving tribute to a young artist who left us too soon

TV Choice: Freefall: A Reckoning for Boeing – Will Boeing ever face justice for lies, failures, bad practices and the deaths of 346 people?

Coyote vs. Acme (review) – Green’s movie loves and understands the cartoon formula it’s building on, delivering sturdy entertainment

MUBI has released new images for Lukas Dhont’s Coward, which had its World Premiere in Competition at the 2026 Cannes Film Festival

Ballet De Santiago will bring their lavish production of Swan Lake to the London Coliseum in 2027

The 70th BFI London Film Festival announces official competition titles and the opening and closing films for the 2026 festival

Unanchored City (Copeland Gallery, Peckham) review – DoMo Collective asks: What makes a city feel like our own?

Drowning by Numbers (1988) rewind review – Greenaway’s painterly fairy-tale of three women, three murders, and the endless games of men

Jacob Tierney’s Heated Rivalry scores a slapshot in GALECA: The Society of LGBTQ Entertainment Critics’ 18th Dorian TV Awards 2026

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