Queer Horror- Page 4

From transformation and hidden identities to social fears and individual trauma, explore our Queer Horror collection of TV, movies and stage productions.

Film and Television·LGBTQ+

Scream Queen! My Nightmare on Elm Street (review) – brave and personal, but urgent themes are clouded by a continuing fear of rejection

by Neil Baker

10th June 2020

Editors' Choice·Film and Television·LGBTQ+·Rewind

A Nightmare on Elm Street 2: Freddy’s Revenge (1985) – the horror of coming out in 80’s America

by Neil Baker

22nd October 2019

Editors' Choice·Film and Television·LGBTQ+·Rewind

Stranger by the Lake (2013) rewind review – a thriller steeped in themes of trust, desire, fragility, masculinity, and connection

by Neil Baker

10th June 2019

Film and Arts Festivals·Film and Television·LGBTQ+

BFI Flare 2019 (reviews) – from 1920s Bermondsey to modern-day Brighton, explore all the 33rd edition of BFI Flare had to offer

by Neil Baker

24th March 2019

Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+

BFI London Film Festival 2018 (reviews)

by Neil Baker

22nd October 2018

Editors' Choice·Film and Television

Climax (review) – Noé leaves you with a deep sense of unease through this febrile thumping nightmare

by Neil Baker

17th September 2018

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Queer Horror- Page 4

Scream Queen! My Nightmare on Elm Street (review) – brave and personal, but urgent themes are clouded by a continuing fear of rejection

A Nightmare on Elm Street 2: Freddy’s Revenge (1985) – the horror of coming out in 80’s America

Stranger by the Lake (2013) rewind review – a thriller steeped in themes of trust, desire, fragility, masculinity, and connection

BFI Flare 2019 (reviews) – from 1920s Bermondsey to modern-day Brighton, explore all the 33rd edition of BFI Flare had to offer

BFI London Film Festival 2018 (reviews)

Climax (review) – Noé leaves you with a deep sense of unease through this febrile thumping nightmare

Latest Posts

Tunnels: Sun in the Dark (Fantasia Film Festival) review – an immersive, subterranean war drama lost in its own labyrinth

The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment

The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

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