Film and Television·Music and Dance Michael (review) – mechanical storytelling and a sanitised portrayal so vacant of nuance or substance only leave one unsettled by Calum Cooper 29th April 2026
Editors' Choice·Film and Arts Festivals·Film and Television Franz (Kinoteka) review – Agnieszka Holland creates a kaleidoscopic portrait of Franz Kafka’s life and impact by Daisy Grace Greetham 4th March 2026
Film and Arts Festivals·Film and Television·LGBTQ+ Blue Moon (BFI London Film Festival) review – weighed down by the overwhelmingness of its style and the staleness of its substance by Calum Cooper 19th October 2025
Film and Arts Festivals·Film and Television·Music and Dance Springsteen: Deliver Me from Nowhere (BFI London Film Festival) review – Cooper keeps us at a distance from the man and the artist by Neil Baker 18th October 2025
Film and Television Brave the Dark (review) – a predictable and comforting tale of a small-town Good Samaritan by Neil Baker 15th September 2025
Film and Television Modi: Three Days on the Wing of Madness (review) – Depp’s movie is messy rather than creatively mercurial by Calum Cooper 10th July 2025
Editors' Choice·Film and Television·Music and Dance A Complete Unknown (review) – engaging, elegant and alluring yet somewhat pedestrian by Calum Cooper 12th January 2025
Editors' Choice·Film and Arts Festivals·Film and Television·Music and Dance Better Man (review) – Gracey’s fabulous musical biopic isn’t monkeying around by Neil Baker 20th December 2024
Film and Television·LGBTQ+·Music and Dance Midas Man (review) – a worthy, if incomplete and rather too smooth biopic by Neil Baker 30th October 2024
Editors' Choice·Film and Arts Festivals·Film and Television Priscilla (review) – can any union survive in the darkness of a fairytale world built on public image and destructive fame? by Neil Baker 21st December 2023
1 Billy Liar (1963) rewind review – Schlesinger’s truly stunning coming-of-age film continues to speak to the experiences of young people today 29th July 2026
2 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
3 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
4 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
5 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
6 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
7 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
8 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
9 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
10 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
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