Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ The Lost Boys (Le Paradis) – Zeno Graton discusses Jean Genet, perpetual adolescence, love and tenderness by Neil Baker 13th December 2023
Editors' Choice·Film and Arts Festivals·Film and Television May December (review) – a provocative and ambiguous exploration of self-deception and manipulation by Neil Baker 8th December 2023
Editors' Choice·Film and Arts Festivals·Film and Television Anatomy of a Fall (review) – Justice is messy, and the truth is obscure in Triet’s outstanding crime drama by Neil Baker 6th December 2023
Editors' Choice·Film and Arts Festivals·Film and Television The Killer (BFI London Film Festival) review – a fascinating exploration of a man who doesn’t exist by Neil Baker 26th October 2023
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ All of Us Strangers (BFI London Film Festival) review – Haigh unlocks painful memories as he bathes us in the eternal power of love by Neil Baker 21st October 2023
Film and Arts Festivals·Film and Television Stopmotion (BFI London Film Festival) review – a living, breathing nightmare of no escape by Neil Baker 19th October 2023
Film and Arts Festivals·Film and Television Poor Things (BFI London Film Festival) review – mesmerises with its witty writing, assured direction and immaculate visuals by Calum Cooper 19th October 2023
Film and Arts Festivals·Film and Television·Short Films How BMW and BFI changed one filmmaking team’s life at BFI London Film Festival 2023 by Sabastian Astley 18th October 2023
Film and Arts Festivals·Film and Television How to Have Sex (BFI London Film Festival) review – an absolute belter of a feature debut from Molly Manning Walker by Calum Cooper 17th October 2023
Film and Arts Festivals·Film and Television·LGBTQ+ Black Dog (BFI London Film Festival) review – two boys from different sides of the track come together in an assured debut feature by Neil Baker 16th October 2023
1 Josephine (BFI London Film Festival) review: De Anaújo and team cut to the bone of dense issues with devastating precision
2 Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date
3 Whalefall (review): Austin Abrams is swallowed whole by a sperm whale in a bizarre rather than exciting survival movie
4 TV Choice: Brad Caleb Kane breathes new life into the Friday the 13th franchise this Halloween as we return to Crystal Lake
5 Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction
6 Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming
7 These Violent Delights (review): Hampson and Sansom’s passionate take on Romeo and Juliet marks the arrival of a new generation
8 Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory
9 Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows
10 Franz & Marie (review): Howard and Oakley’s poignant tragedy comes to life through folk music and performance
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