Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date by Neil Baker 15th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction by Neil Baker 13th October 2026
Film and Arts Festivals·Film and Television Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming by Neil Baker 13th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Short Films Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory by Neil Baker 12th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows by Neil Baker 12th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Elsinore (BFI London Film Festival) review: Scott’s powerful performance drives Stone’s exquisite story of Charleson’s Hamlet by Neil Baker 11th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Short Films The Devil Is in Me (BFI London Film Festival) review – Salisbury’s timeless exploration of teenage rebellion is wickedly sharp by Neil Baker 8th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Short Films Bundle (BFI London Film Festival) review – a young man’s world collapses into a suffocating nightmare of no escape in Milillo’s powerful short by Neil Baker 8th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Short Films The Last Snow (BFI London Film Festival) review – a masterclass in using light, colour, and shadow to create nail-biting moments of terror by Neil Baker 8th October 2026
Film and Television·LGBTQ+ MUBI has released new images for Lukas Dhont’s Coward, which had its World Premiere in Competition at the 2026 Cannes Film Festival by Neil Baker 19th August 2026
1 Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date
2 Whalefall (review): Austin Abrams is swallowed whole by a sperm whale in a bizarre rather than exciting survival movie
3 TV Choice: Brad Caleb Kane breathes new life into the Friday the 13th franchise this Halloween as we return to Crystal Lake
4 Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction
5 Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming
6 These Violent Delights (review): Hampson and Sansom’s passionate take on Romeo and Juliet marks the arrival of a new generation
7 Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory
8 Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows
9 Franz & Marie (review): Howard and Oakley’s poignant tragedy comes to life through folk music and performance
10 Elsinore (BFI London Film Festival) review: Scott’s powerful performance drives Stone’s exquisite story of Charleson’s Hamlet
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