Film and Arts Festivals·Film and Television Dashcam (BFI London Film Festival) review – the most insane and entertaining horror ride of the year by Sabastian Astley 22nd October 2021
Film and Arts Festivals·Film and Television·Film Reviews The Lost Daughter (BFI London Film Festival) review – a directorial debut that quickly loses its audience by Sabastian Astley 20th October 2021
Film and Arts Festivals·Film and Television·Film Reviews Last Night in Soho (BFI London Film Festival) review – a neon-lit love letter that never quite finds its horror voice by Sabastian Astley 18th October 2021
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Benediction (BFI London Film Festival) review – a beautiful, vibrant and complex portrait of Siegfried Sassoon by Neil Baker 17th October 2021
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Great Freedom (BFI London Film Festival) review – a powerful, personal and intimate discussion on denied liberation by Neil Baker 16th October 2021
Film and Arts Festivals·Film and Television The French Dispatch – a letter to our readers from the UK Premiere (BFI London Film Festival) by Neil Baker 14th October 2021
Film and Arts Festivals·Film and Television·Film Reviews The Harder They Fall (BFI London Film Festival) review – Samuel breathes new life into the Western genre by Sabastian Astley 13th October 2021
Film and Arts Festivals·Film and Television·Film Reviews The Hole in the Fence (El Hoyo en la Cerca) BFI London Film Festival review – a disturbing exploration of power and privilege by Neil Baker 13th October 2021
Film and Arts Festivals·Film and Television Titane (BFI London Film Festival) review – a viscerally intimate dissection of the human condition by Sabastian Astley 12th October 2021
Film and Arts Festivals·Film and Television·Film Reviews Spencer (BFI London Film Festival) review – a dizzying journey into anxiety and psychological distress by Sabastian Astley 12th October 2021
1 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
2 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
3 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
4 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
5 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
6 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
7 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
8 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
9 Tight Lettuce (Fantasia Film Festival) review – when does care become enabling, and who dictates when that line has been crossed? 19th July 2026
10 Pimple (Fantasia Film Festival) review – Alle’s story of a toxic pimple, a sebum monster and bullies about to meet a sticky end is a delight 19th July 2026
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