Neil Baker

Founder and Editor in Chief
Voting member of GALECA - The Society of LGBTQ Entertainment Critics and the Documentary Film Council (UK)

Film and Television

A Million Little Pieces (review) – Aaron Taylor-Johnson’s outstanding performance can’t save this confused picture

by Neil Baker

3rd September 2019

Film and Television

Bait (review) – a salty, seaweed-coated photographic study of community change

by Neil Baker

30th August 2019

Film and Arts Festivals·Film and Television

BFI London Film Festival 2019 – Programme Launched

by Neil Baker

29th August 2019

Film and Television

Crawl (review) – predators glide through flood waters looking for their next meal in this snappy eco-thriller

by Neil Baker

25th August 2019

Film and Television

Angel Has Fallen (review) – a franchise as tired as the performances at its heart

by Neil Baker

21st August 2019

Film and Television

Once Upon a Time in Hollywood (review) – an audacious exploration of the underbelly of the Hollywood dream

by Neil Baker

15th August 2019

Film and Television

Good Boys (review) – rude and crude, but full to the brim with warmth and tenderness

by Neil Baker

13th August 2019

Film and Television·LGBTQ+

Hard Paint (review) – a journey of self-discovery and social isolation

by Neil Baker

11th August 2019

Film and Television·Music and Dance

Blinded by the Light (review) – from the factories of New Jersey to the car assembly plants of Bedfordshire, Chadha’s movie shines

by Neil Baker

10th August 2019

Film and Television·Rewind

The Black Hole (1979) – scientific discovery layered with a religious and moral subtext

by Neil Baker

4th August 2019

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Neil Baker

A Million Little Pieces (review) – Aaron Taylor-Johnson’s outstanding performance can’t save this confused picture

Bait (review) – a salty, seaweed-coated photographic study of community change

BFI London Film Festival 2019 – Programme Launched

Crawl (review) – predators glide through flood waters looking for their next meal in this snappy eco-thriller

Angel Has Fallen (review) – a franchise as tired as the performances at its heart

Once Upon a Time in Hollywood (review) – an audacious exploration of the underbelly of the Hollywood dream

Good Boys (review) – rude and crude, but full to the brim with warmth and tenderness

Hard Paint (review) – a journey of self-discovery and social isolation

Blinded by the Light (review) – from the factories of New Jersey to the car assembly plants of Bedfordshire, Chadha’s movie shines

The Black Hole (1979) – scientific discovery layered with a religious and moral subtext

Latest Posts

The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment

The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

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