Neil Baker

Founder and Editor in Chief
Voting member of GALECA - The Society of LGBTQ Entertainment Critics and the Documentary Film Council (UK)

Film and Arts Festivals·Film and Television·LGBTQ+

Rialto (BFI London Film Festival) review – a story of mutual support and therapy at a price, as secrets are brought into the light

by Neil Baker

1st October 2019

Film and Television

The Goldfinch (review) – Crowley’s adaptation is a frustrating, disappointing and disjointed mess

by Neil Baker

28th September 2019

Film and Arts Festivals·Film and Television

The Dude in Me (BFI London Film Festival) review – fun, bubbly, and entertaining, but ultimately nothing new

by Neil Baker

27th September 2019

Film and Arts Festivals·Film and Television

The Last Black Man in San Francisco (BFI London Film Festival) review – a fascinating portrait of brotherhood, memory, and inequality

by Neil Baker

26th September 2019

Film and Arts Festivals·Film and Television·LGBTQ+

Tremors (BFI London Film Festival) review – the conflicted interface between faith, wealth and community

by Neil Baker

24th September 2019

Film and Arts Festivals·Film and Television·LGBTQ+

End of the Century (BFI London Film Festival) review – a powerful journey into memory, regret and desire

by Neil Baker

22nd September 2019

Editors' Choice·Film and Arts Festivals·Film and Television

Monos (BFI Film Festival 2019) review – a beautiful yet haunting tale of tribalism, isolation, indoctrination and hormones

by Neil Baker

19th September 2019

Film and Television

Ad Astra (review) – an interstellar journey into what it means to be human

by Neil Baker

19th September 2019

Film and Arts Festivals·Film and Television

Little Monsters (BFI London Film Festival) review – a farmyard full of gore and giggles

by Neil Baker

18th September 2019

Film and Television

For Sama (review) – strength and humanity in the face of terror and destruction

by Neil Baker

17th September 2019

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Neil Baker

The Goldfinch (review) – Crowley’s adaptation is a frustrating, disappointing and disjointed mess

The Dude in Me (BFI London Film Festival) review – fun, bubbly, and entertaining, but ultimately nothing new

The Last Black Man in San Francisco (BFI London Film Festival) review – a fascinating portrait of brotherhood, memory, and inequality

Tremors (BFI London Film Festival) review – the conflicted interface between faith, wealth and community

End of the Century (BFI London Film Festival) review – a powerful journey into memory, regret and desire

Monos (BFI Film Festival 2019) review – a beautiful yet haunting tale of tribalism, isolation, indoctrination and hormones

Ad Astra (review) – an interstellar journey into what it means to be human

Little Monsters (BFI London Film Festival) review – a farmyard full of gore and giggles

For Sama (review) – strength and humanity in the face of terror and destruction

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No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

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Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

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