Neil Baker

Founder and Editor in Chief
Voting member of GALECA - The Society of LGBTQ Entertainment Critics and the Documentary Film Council (UK)

Horrible Histories The Movie Rotten Romans Review

Film and Television·Music and Dance

Horrible Histories: Rotten Romans (review) – a joyous musical-comedy that feels fresh and innovative

by Neil Baker

28th July 2019

Film and Television

The Current War (review) – what should have been a bright historical drama is more of a mediocre glow

by Neil Baker

27th July 2019

Film and Television

Spider-Man: Far from Home (review) – a disappointingly formulaic MCU follow-up to Homecoming

by Neil Baker

3rd July 2019

Film and Television

Child’s Play 2019 (Review) – Chucky becomes a Buddi in Klevberg’s AI update of Mancini’s world

by Neil Baker

23rd June 2019

Editors' Choice·Film and Television

Brightburn (review) – hits the spot in mainstream horror, but never quite delivers the subversion of the Superman story it promised

by Neil Baker

23rd June 2019

Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+

Consequences ‘Posledice’ review – a fierce exploration of repressed sexuality, masculinity, and peer influence

by Neil Baker

21st June 2019

Film and Television·Rewind

Goodnight Mommy (2014) rewind review – a devilishly complex web of emotions that challenges the foundations of our empathy and compassion

by Neil Baker

18th June 2019

Editors' Choice·Film and Television·LGBTQ+·Rewind

Stranger by the Lake (2013) rewind review – a thriller steeped in themes of trust, desire, fragility, masculinity, and connection

by Neil Baker

10th June 2019

Film and Television

X-Men: Dark Phoenix (review) – never rises above the overwhelming sense of franchise fatigue

by Neil Baker

8th June 2019

Film and Television·Rewind

Who Can Kill a Child? (1976) rewind review – a sun-drenched horror that defies the rules and etches an eternal place in the memory

by Neil Baker

31st May 2019

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Neil Baker

Horrible Histories: Rotten Romans (review) – a joyous musical-comedy that feels fresh and innovative

The Current War (review) – what should have been a bright historical drama is more of a mediocre glow

Spider-Man: Far from Home (review) – a disappointingly formulaic MCU follow-up to Homecoming

Child’s Play 2019 (Review) – Chucky becomes a Buddi in Klevberg’s AI update of Mancini’s world

Brightburn (review) – hits the spot in mainstream horror, but never quite delivers the subversion of the Superman story it promised

Consequences ‘Posledice’ review – a fierce exploration of repressed sexuality, masculinity, and peer influence

Goodnight Mommy (2014) rewind review – a devilishly complex web of emotions that challenges the foundations of our empathy and compassion

Stranger by the Lake (2013) rewind review – a thriller steeped in themes of trust, desire, fragility, masculinity, and connection

X-Men: Dark Phoenix (review) – never rises above the overwhelming sense of franchise fatigue

Who Can Kill a Child? (1976) rewind review – a sun-drenched horror that defies the rules and etches an eternal place in the memory

Latest Posts

The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment

The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

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