Arts·Editors' Choice RA Summer Exhibition 2026 (review) – Ryan Gander brings wit, whimsy and connection to the Royal Academy of Arts this season by Daisy Grace Greetham 26th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television Hope is a Word (Sheffield DocFest) review – a collective fight for change, rich with poetry, power, and personal stories by Daisy Grace Greetham 20th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television Time Machine Maidan (Sheffield DocFest) review – a harrowing documentary that bridges Ukraine’s bloody struggles in haunting detail by Daisy Grace Greetham 18th June 2026
Film and Arts Festivals·Film and Television Summer of Three (Tribeca Festival) review – a sun-kissed portrait of youth, love and loss in Puerto Rico by Daisy Grace Greetham 8th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television Sad Girlz (Tribeca Festival) review – Tovar’s Double Berlinale Winner is a stunning reflection of girlhood and trauma by Daisy Grace Greetham 6th June 2026
Editors' Choice·Film and Television·Rewind The Ginger Snaps Trilogy from Second Sight Films (rewind review) – the monstrous cult classics in one brand new Blu-ray collection by Daisy Grace Greetham 30th May 2026
Film and Television·Rewind Teeth (2007) rewind review – an unexpected fang-sharp satire on male audacity by Daisy Grace Greetham 30th April 2026
Film and Television·Rewind Harvey (1950) rewind review – Koster’s bittersweet and whimsical film is an undervalued lesson in how to see the world by Daisy Grace Greetham 17th April 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Satisfaction (BFI Flare) review – Alex Burunova’s feature debut is a meticulously crafted visual and sonic exploration of trauma by Daisy Grace Greetham 23rd March 2026
Editors' Choice·Music and Dance HELP(2) album review – War Child Records’ sequel album is a beautiful and urgent call for change by Daisy Grace Greetham 15th March 2026
1 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression 3rd September 2026
2 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027 1st September 2026
3 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes 31st August 2026
4 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules 31st August 2026
5 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie 30th August 2026
6 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery 30th August 2026
7 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch 29th August 2026
8 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites 29th August 2026
9 Colony (FrightFest) review – a taut atmosphere and a palpable urgency make for a gripping, if rather generic, zombie horror 28th August 2026
10 Now You See Me Live! (review) – Spectacular and thrilling, this magical show places the audience centre stage as it dazzles and bewitches 27th August 2026
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