Film and Arts Festivals·Film and Television·Film and Theatre Reviews·Short Films The Souffleur (BFI London Film Festival) review – the inner turmoil of a man caught in the headlights of apparent change and progress by Neil Baker 20th October 2025
Editors' Choice·Film and Television·Film and Theatre Reviews Nosferatu (review) – Eggers’ chilling film somewhat cowers in the presence of its predecessor by Calum Cooper 23rd December 2024
Arts and Culture News·Film and Television We take a first look at Yorgos Lanthimos’ Kinds of Kindness by Neil Baker 11th April 2024
Arts and Culture News·Film and Television·GALECA Dorian Awards·LGBTQ+ Andrew Haigh’s All of Us Strangers wins Film of the Year at the 15th Dorian Film Awards, voted for by GALECA Members by Neil Baker 26th February 2024
Film and Arts Festivals·Film and Television·Film and Theatre Reviews Poor Things (BFI London Film Festival) review – mesmerises with its witty writing, assured direction and immaculate visuals by Calum Cooper 19th October 2023
Arts and Culture News·Film and Arts Festivals·Film and Television Film4 celebrate success as Yorgos Lanthimos’ Poor Things wins the Golden Lion prize at the 80th Venice International Film Festival by Neil Baker 15th September 2023
Film and Television·Film and Theatre Reviews The Northman (review) – an epic revenge tragedy that is missing some of Egger’s magic by Sabastian Astley 15th April 2022
Film and Television·Film and Theatre Reviews Spider-Man: No Way Home (review) – Jon Watts brings us the best Spider-Man film to date by Sabastian Astley 17th December 2021
Film and Arts Festivals·Film and Television·LGBTQ+ BFI London Film Festival 2020 (reviews) – our quick read film reviews from the 64th edition of the festival by Neil Baker 17th October 2020
Film and Arts Festivals·Film and Television·Film and Theatre Reviews The Lighthouse (BFI London Film Festival) review – “Doldrums. Doldrums. Eviler than the Devil” by Neil Baker 14th October 2019
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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