Editors' Choice·Film and Television·LGBTQ+·Rewind Turbulent Teens – 16 coming-of-age movies exploring the rollercoaster of adolescence by Neil Baker 27th February 2026
Editors' Choice·Film and Television Mission: Impossible – The Final Reckoning (review) – mission accomplished for McQuarrie and Cruise by Calum Cooper 28th May 2025
Film and Television·Rewind Cruise Control – as Top Gun: Maverick arrives in cinemas, we look back at the magic of Top Gun and its star by Neil Baker 29th September 2023
Film and Television Mission: Impossible – Dead Reckoning Part One (review) – epic, exciting and thematically powerful by Calum Cooper 6th July 2023
Film and Television·Rewind Risky Business (1983) rewind review – ’80s teenage dreams, reward, risk and consequence in the Chicago suburbs by Neil Baker 1st September 2022
Film and Television·Rewind Eyes Wide Shut (1999) rewind review – obsessions eat away at the soul as we embark on a trip into a secret psycho-sexual Manhattan fantasy by Sabastian Astley 23rd December 2021
1 Saturday Night Live UK announces Jeff Goldblum as the first host of the new series and the addition of Freddie Meredith to the cast
2 Tao of Glass (review) – music, puppetry and shadow play sit alongside fragments of thought about dreams, life and death
3 Her Worm (review) – a deliciously dark, lovingly crafted short film that asks us all to reflect on the real parasites in our midst
4 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
6 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
7 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
8 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
9 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
10 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
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