Film and Television Sour Milk: Eli Roth’s Ice Cream Man – Calum Cooper on one of the most incompetent and vulgar films he has ever seen by Calum Cooper 23rd August 2026
Editors' Choice·Film and Television·Rewind The Ginger Snaps Trilogy from Second Sight Films (rewind review) – the monstrous cult classics in one brand new Blu-ray collection by Daisy Grace Greetham 30th May 2026
Editors' Choice·Film and Television·Rewind So Bad They’re Good (rewind review) – the terrifically terrible Troll (1986) and Tammy and the T-Rex (1994) by Neil Baker 27th April 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ The Holy Boy (BFI London Film Festival) review – a fierce, formidable, and heartbreaking coming-of-age horror by Neil Baker 11th October 2025
Editors' Choice·Film and Television Weapons (review) – a genuinely unique, fresh, and twisted contemporary fairytale by Neil Baker 6th August 2025
Editors' Choice·Film and Television Club Zero (review) – beware the false prophet in sheep’s clothing by Neil Baker 27th November 2024
Editors' Choice·Film and Television MadS (review) – David Moreau’s Gaspar Noé-inspired disorientating trip to hell is a terrifying triumph by Neil Baker 20th October 2024
Editors' Choice·Film and Television Daddy’s Head (review) – the horrifying power of grief to shift, distort, and twist our reality by Neil Baker 11th October 2024
Film and Television·Rewind Martin (1977) rewind review – George A. Romero’s film is a vampire film unlike any other by Neil Baker 11th September 2023
Film and Television·Rewind The Children (2008) rewind review – a genuinely creepy horror that turns festive celebrations into a nightmare with no escape by Neil Baker 2nd December 2022
1 Tao of Glass (review) – music, puppetry and shadow play sit alongside fragments of thought about dreams, life and death
2 Her Worm (review) – a deliciously dark, lovingly crafted short film that asks us all to reflect on the real parasites in our midst
3 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
5 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
6 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
7 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
8 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
9 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
10 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
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