Editors' Choice·Film and Theatre Reviews·Music and Dance Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical by Jane Jung 8th November 2026
Arts·Film and Arts Festivals·Film and Theatre Reviews·Music and Dance·Theatre User Manual for a Broken Machine (review): Words, movement and music combine to explore personal and social histories by Jane Jung 21st October 2026
Film and Arts Festivals·Film and Theatre Reviews·Theatre Counterattack: Youth (review): A real pub setting elevates the intimacy between four lifelong friends in Gain Amy Park’s drama by Jane Jung 17th October 2026
Film and Theatre Reviews·Music and Dance·Theatre Franz & Marie (review): Howard and Oakley’s poignant tragedy comes to life through folk music and performance by Jane Jung 12th October 2026
Film and Theatre Reviews·Music and Dance·Theatre You & It (review) – What if technology could bring back the person you loved the most? by Jane Jung 4th September 2026
Film and Arts Festivals·Film and Television·Film and Theatre Reviews Colony (FrightFest) review – a taut atmosphere and a palpable urgency make for a gripping, if rather generic, zombie horror by Calum Cooper 28th August 2026
Arts·Editors' Choice Unanchored City (Copeland Gallery, Peckham) review – DoMo Collective asks: What makes a city feel like our own? by Jane Jung 17th August 2026
Arts and Culture News·Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ FrightFest announces its programme for the 27th edition of the UK’s leading horror & fantasy film festival by Neil Baker 16th July 2026
Arts and Culture News·LGBTQ+·Theatre King’s Head Theatre places technology, politics, and sexuality in the spotlight for its Autumn season 2026 by Neil Baker 24th June 2026
Editors' Choice·Film and Theatre Reviews·Theatre The Last Man (review) – a social and emotional landscape that may be unfamiliar, yet unexpectedly recognisable by Jane Jung 10th June 2026
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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