Editors' Choice·Film and Television·LGBTQ+·Rewind The Lost Boys (1987) rewind review – Schumacher’s Pan-inspired fairground of hormones, heart-racing horror and hilarity is unforgettable by Neil Baker 14th July 2026
Editors' Choice·Music and Dance Shanay Holmes Live at Cadogan Hall (review): a liquid-gold voice, a world-class orchestra and a night of musical wonder, emotion, and love by Neil Baker 12th July 2026
Music and Dance Alt-pop multi-JUNO-nominated Valley drops ‘Vending Machine’ through Capitol Records/Polydor by Neil Baker 17th June 2026
Music and Dance Bonnie Kemplay shares her new single Beginners from the forthcoming EP Someone, somewhere, due for release on July 31 by Neil Baker 17th June 2026
Editors' Choice·Film and Television·LGBTQ+·Music and Dance Wolf (Sheffield DocFest) review – a deeply personal and intimate exploration of trauma, addiction, recovery and transformation by Neil Baker 16th June 2026
Editors' Choice·Theatre The Last Man (review) – a social and emotional landscape that may be unfamiliar, yet unexpectedly recognisable by Jane Jung 10th June 2026
Film and Television·Music and Dance Michael (review) – mechanical storytelling and a sanitised portrayal so vacant of nuance or substance only leave one unsettled by Calum Cooper 29th April 2026
Music and Dance Brighton four-piece Lime Garden drop the new video for Cross My Heart from their studio album Maybe Not Tonight by Neil Baker 28th April 2026
Editors' Choice·Music and Dance HELP(2) album review – War Child Records’ sequel album is a beautiful and urgent call for change by Daisy Grace Greetham 15th March 2026
Music and Dance·Theatre Disney’s High School Musical extends its upcoming run at the Lowry due to demand by Neil Baker 13th March 2026
1 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
3 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
4 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
5 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
6 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
7 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
8 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
9 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch
10 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites
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