Editors' Choice·Film and Television·LGBTQ+ Elephants in the Fog (BFI London Film Festival) review: Abinash Bikram Shah’s debut feature is a masterclass in atmospheric immersion by Neil Baker 18th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Short Films Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory by Neil Baker 12th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television Hope is a Word (Sheffield DocFest) review – a collective fight for change, rich with poetry, power, and personal stories by Daisy Grace Greetham 20th June 2026
Film and Television Kraken (review) – Pål Øie’s creature feature eco-horror wraps its tentacles tightly around you and doesn’t let you go by Neil Baker 31st May 2026
Film and Television·GALECA Dorian Awards·LGBTQ+ Sinners takes a mighty bite out of the GALECA Dorian Film Awards 2026, and Pillion asserts its dominance as LGBTQ+ Film of the Year by Neil Baker 4th March 2026
Editors' Choice·Film and Television·In Focus TV Choice: Simon Reeve on the spectacular wonders and surprising secrets of Scandinavia by Neil Baker 16th May 2025
Film and Television·LGBTQ+·NQV Short Films·Short Films Upon Her Lips: Hold Me Tight (NQV Media) review – a touch can change everything and a kiss can open up new worlds of possibility by Neil Baker 5th January 2025
Editors' Choice·Film and Television·LGBTQ+ Opponent (Motståndaren) review – you can run, but you can’t hide by Neil Baker 24th April 2024
Film and Television There’s Something In The Barn (review) – Magnus Martens’ film is a fun but forgettable festive romp by Neil Baker 25th November 2023
Editors' Choice·Film and Television·In Focus·LGBTQ+ Kings & Queens: Enjoy our coronation-worthy collection of right royal movies and shows by Neil Baker 6th May 2023
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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