Margot Robbie

Film and Television

Wuthering Heights (review) – Fennell captures the book’s emotional scale, but the lack of subtlety is a double-edged sword

by Calum Cooper

10th February 2026

Film and Television·GALECA Dorian Awards·LGBTQ+

Andrew Haigh’s All of Us Strangers wins Film of the Year at the 15th Dorian Film Awards, voted for by GALECA Members

by Neil Baker

26th February 2024

Film and Television

Barbie (review) – Greta Gerwig’s tightly written comedy will have you grinning from ear to ear

by Emma Duffy

26th July 2023

Film and Television·LGBTQ+·Rewind

Kings & Queens – a coronation-worthy collection of movies and shows

by Neil Baker

6th May 2023

Film and Television

Babylon (review) – captivating and quintessentially Chazelle

by Calum Cooper

11th January 2023

Film and Television

Birds of Prey (And The Fantabulous Emancipation Of One Harley Quinn) review – Robbie puts the men of Gotham onto the naughty step

by Neil Baker

8th February 2020

Film and Television

Bombshell (review) – an important but confused take on corporate discrimination

by Neil Baker

19th January 2020

Editors' Choice·Film and Television·LGBTQ+

Cinerama Capsule 2018 (reviews)

by Neil Baker

7th July 2018

Andrew Haigh’s All of Us Strangers wins Film of the Year at the 15th Dorian Film Awards, voted for by GALECA Members

Barbie (review) – Greta Gerwig’s tightly written comedy will have you grinning from ear to ear

Kings & Queens – a coronation-worthy collection of movies and shows

Babylon (review) – captivating and quintessentially Chazelle

Birds of Prey (And The Fantabulous Emancipation Of One Harley Quinn) review – Robbie puts the men of Gotham onto the naughty step

Bombshell (review) – an important but confused take on corporate discrimination

Latest Posts

The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment

The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential

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