Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Die My Love (BFI London Film Festival) review – Jennifer Lawrence is relentless in her most visceral performance to date by Theo Smith 21st October 2025
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Blue Moon (BFI London Film Festival) review – weighed down by the overwhelmingness of its style and the staleness of its substance by Calum Cooper 19th October 2025
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews The Love That Remains (BFI London Film Festival) review – a visually stunning, obscure yet enthralling work of art by Neil Baker 18th October 2025
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Twinless (review) – Sweeney’s film certainly isn’t identical to any other film out there; it’s a one-of-a-kind by Neil Baker 26th September 2025
Film and Television·Film Reviews The Roses (review) – a pale imitation of DeVito’s superior film rather than a modern interpretation of the same story by Calum Cooper 27th August 2025
Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews·TV and Streaming Reviews The Graduate (1967) – Nichols’ film more than earns its place among the greatest American movies ever made by Neil Baker 7th July 2025
Editors' Choice·Film and Television·Film Reviews·LGBTQ+·NQV Short Films·Short Films·TV and Streaming Reviews The Male Gaze: Breaking Dawn (NQV Media) review – “Everything will look better in the morning” by Neil Baker 14th June 2025
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews Lemonade Blessing (Tribeca Festival) review – a wickedly funny and joyously blasphemous debut feature by Neil Baker 12th June 2025
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Blue for a Boy (Azul de niño) OUTshine Review – Guardans’ debut feature is a darkly comic treat by Neil Baker 24th April 2025
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Went Up the Hill (OUTshine Review) – a ghost story centred around two fractured but beating hearts by Neil Baker 20th April 2025
1 La Carn (SXSW London) review – the obsession with random sex chats leads to a problematic question of consent 8th June 2026
2 Kevin’s Series of Unfortunate Events (Tribeca Festival) review – a fabulously flirtatious, farcical and fast-paced delight 8th June 2026
3 Summer of Three (Tribeca Festival) review – a sun-kissed portrait of youth, love and loss in Puerto Rico 8th June 2026
4 Hormonal Highs – six hot and heavy films that take us from a dance floor in New York to an isolated Blue Lagoon 8th June 2026
5 Barrio Triste (SXSW London) review – Stillz’s debut feature leaves you both breathless and disoriented as the credits roll 6th June 2026
6 Sad Girlz (Tribeca Festival) review – Tovar’s Double Berlinale Winner is a stunning reflection of girlhood and trauma 6th June 2026
7 Verse (Tribeca Festival) review – Noam Argov explores the interface between our online and offline worlds in this urgent and timely short film 6th June 2026
8 DISC (Tribeca Festival) review – Blake Rice’s one-night stand short is as acidically sweet as a lemon dipped in sugar 6th June 2026
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