Film and Television·LGBTQ+·Rewind Carol (2015) – a stunning exploration of desire, fear and oppression in an age of defined social rules by Neil Baker 19th December 2021
Film and Television·LGBTQ+·NQV Short Films·Short Films The French Boys Quadrilogy (NQV Media) review – four stunning volumes of French short films by Neil Baker 8th December 2021
Film and Arts Festivals·Film and Television The Power of the Dog (BFI London Film Festival) review – Campion returns with a stunning psychological thriller by Neil Baker 12th November 2021
Film and Television·LGBTQ+·NQV Short Films·Short Films The Male Gaze: Celluloid Dreams (NQV Media) review – The Male Gaze celebrates the beauty and power of 16mm and 35mm filmmaking by Neil Baker 6th November 2021
Film and Television·Rewind Possession (1981) rewind review – a demonic affair with a tentacled monster in a derelict apartment building on the other side of town by Agnes Sajti 29th October 2021
Film and Television·Rewind A Clockwork Orange (1971) – Kubrick’s profound maze of philosophical questions by Neil Baker 24th October 2021
Film and Arts Festivals·Film and Television Titane (BFI London Film Festival) review – a viscerally intimate dissection of the human condition by Sabastian Astley 12th October 2021
Film and Television·Rewind Hammer Horror – seven unmissable movies for the British house of horror by Neil Baker 10th October 2021
Film and Arts Festivals·Film and Television·LGBTQ+ The Outlaws ‘De Fredløse’ (BFI London Film Festival) review – a young man finds everything he needs in the wrong place by Neil Baker 6th October 2021
Film and Television·Rewind Psycho (1960) – the film that ushered in a new era of psychological thrillers by Neil Baker 5th October 2021
1 Billy Liar (1963) rewind review – Schlesinger’s truly stunning coming-of-age film continues to speak to the experiences of young people today 29th July 2026
2 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
3 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
4 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
5 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
6 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
7 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
8 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
9 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
10 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
Follow Us