Film and Television The Invite (review) – Olivia Wilde’s uproarious film is as quick-witted and heartfelt as it is deliberately uncomfortable by Calum Cooper 28th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ On the Road (SXSW London) review – Pablos’ unfiltered, charged, and brutally authentic movie is a visceral cinematic experience by Neil Baker 12th June 2026
Film and Arts Festivals·Film and Television·LGBTQ+ La Carn (SXSW London) review – the obsession with random sex chats leads to a problematic question of consent by Rino Lu 8th June 2026
Editors' Choice·Film and Television·LGBTQ+ Kevin’s Series of Unfortunate Events (Tribeca Festival) review – a fabulously flirtatious, farcical and fast-paced delight by Neil Baker 8th June 2026
Editors' Choice·Film and Television·LGBTQ+·Rewind Hormonal Highs – six hot and heavy films that take us from a dance floor in New York to an isolated Blue Lagoon by Neil Baker 8th June 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Short Films DISC (Tribeca Festival) review – Blake Rice’s one-night stand short is as acidically sweet as a lemon dipped in sugar by Oscar Aitchison 6th June 2026
Film and Television·Rewind Teeth (2007) rewind review – an unexpected fang-sharp satire on male audacity by Daisy Grace Greetham 30th April 2026
Editors' Choice·Film and Television·LGBTQ+·NQV Short Films·Short Films The Male Gaze: Naughty Boys (NQV Media) review – an unmissable selection box of globetrotting cinematic treats by Neil Baker 6th April 2026
Editors' Choice·Film and Television·LGBTQ+ Night Stage (review) – a bold, thrilling and breathless erotic dance through Porto Alegre by Neil Baker 30th March 2026
Film and Arts Festivals·Film and Television·LGBTQ+ Lunar Sway (BFI Flare) review – Butler’s sophomore feature enchants with its Lynchian visuals and engaging performances by Neil Baker 23rd March 2026
1 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
2 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
3 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
4 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
5 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
6 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
7 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
8 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
9 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
10 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
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