Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable by Neil Baker 23rd July 2026
Music and Dance Richard Neuberg shares the single ‘Saltwater’ and announces his debut solo album ‘The Vine’ by Neil Baker 6th March 2026
LGBTQ+·Music and Dance·Theatre First look rehearsal images released for the major new folk musical Ballad Lines at the Southwark Playhouse (Elephant) by Neil Baker 3rd January 2026
Editors' Choice·Film and Television·Music and Dance Your guide to The Eurovision Song Contest 2025 on BBC One, iPlayer and BBC Radio 2 by Neil Baker 3rd May 2025
Editors' Choice·Film and Television·Music and Dance A Complete Unknown (review) – engaging, elegant and alluring yet somewhat pedestrian by Calum Cooper 12th January 2025
Film and Arts Festivals·Film and Television They’re Outside (FrightFest 2020 review) – despite the tiny budget moments of tension are perfectly crafted by Neil Baker 29th August 2020
1 Billy Liar (1963) rewind review – Schlesinger’s truly stunning coming-of-age film continues to speak to the experiences of young people today 29th July 2026
2 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
3 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
4 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
5 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
6 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
7 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
8 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
9 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
10 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
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