Editors' Choice·Film and Television TV Choice: Charlotte Regan on the complicated love, family dynamics, female-led storytelling and the visual language of Mint by Neil Baker 16th April 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Satisfaction (BFI Flare) review – Alex Burunova’s feature debut is a meticulously crafted visual and sonic exploration of trauma by Daisy Grace Greetham 23rd March 2026
Editors' Choice·Film and Television The Brutalist (review) – blistering, soulful and utterly engrossing by Calum Cooper 23rd January 2025
Film and Television The Crowded Room starring Tom Holland sets a premiere date of June 9th on Apple TV + by Neil Baker 3rd April 2023
1 Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory
2 Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows
3 Franz & Marie (review): Howard and Oakley’s poignant tragedy comes to life through folk music and performance
4 Elsinore (BFI London Film Festival) review: Scott’s powerful performance drives Stone’s exquisite story of Charleson’s Hamlet
5 The Social Reckoning (review): Sorkin’s film is rightfully furious about where we are and where we’re going, but it lacks dramatic punch
6 The Devil Is in Me (BFI London Film Festival) review – Salisbury’s timeless exploration of teenage rebellion is wickedly sharp
7 Bundle (BFI London Film Festival) review – a young man’s world collapses into a suffocating nightmare of no escape in Milillo’s powerful short
8 The Last Snow (BFI London Film Festival) review – a masterclass in using light, colour, and shadow to create nail-biting moments of terror
9 The Last Ship (review) – the vast stage is filled not only by the ship itself, but by the voices of the people who built it
10 A new exhibition exploring the design and production of LAIKA’s new stop-motion film Wildwood opens at the Design Museum this October
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