Editors' Choice·Film and Arts Festivals·Film and Television·What to Watch Charlotte Regan on the complicated love, family dynamics, female-led storytelling and the visual language of Mint by Neil Baker 16th April 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Satisfaction (BFI Flare) review – Alex Burunova’s feature debut is a meticulously crafted visual and sonic exploration of trauma by Daisy Grace Greetham 23rd March 2026
Editors' Choice·Film and Television·Film Reviews The Brutalist (review) – blistering, soulful and utterly engrossing by Calum Cooper 23rd January 2025
Film and Television·Film and TV News·What to Watch The Crowded Room starring Tom Holland sets a premiere date of June 9th on Apple TV + by Neil Baker 3rd April 2023
1 La Carn (SXSW London) review – the obsession with random sex chats leads to a problematic question of consent 8th June 2026
2 Kevin’s Series of Unfortunate Events (Tribeca Festival) review – a fabulously flirtatious, farcical and fast-paced delight 8th June 2026
3 Summer of Three (Tribeca Festival) review – a sun-kissed portrait of youth, love and loss in Puerto Rico 8th June 2026
4 Hormonal Highs – six hot and heavy films that take us from a dance floor in New York to an isolated Blue Lagoon 8th June 2026
5 Barrio Triste (SXSW London) review – Stillz’s debut feature leaves you both breathless and disoriented as the credits roll 6th June 2026
6 Sad Girlz (Tribeca Festival) review – Tovar’s Double Berlinale Winner is a stunning reflection of girlhood and trauma 6th June 2026
7 Verse (Tribeca Festival) review – Noam Argov explores the interface between our online and offline worlds in this urgent and timely short film 6th June 2026
8 DISC (Tribeca Festival) review – Blake Rice’s one-night stand short is as acidically sweet as a lemon dipped in sugar 6th June 2026
Follow Us