Editors' Choice·Film and Television·Film Reviews Red Island (L’île rouge) review – a mesmeric voyage into memory by Neil Baker 3rd March 2024
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·Short Films Un invincible été “Invincible Summer” (Berlinale) review – the celebrated beauty of youth and the invisibility of old age by Neil Baker 24th February 2024
Editors' Choice·Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Young Hearts (Berlinale Review) – a beautiful portrait of the emotions, uncertainties, and excitement of first love by Neil Baker 23rd February 2024
Editors' Choice·Film and Television·Film Reviews·LGBTQ+·NQV Short Films·Short Films·TV and Streaming Reviews The Male Gaze: Risk Appeal (NQV Media) review – five short film exploring risk, reward and regret by Neil Baker 12th January 2024
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ The Lost Boys (Le Paradis) – Zeno Graton discusses Jean Genet, perpetual adolescence, love and tenderness by Neil Baker 13th December 2023
Film and Arts Festivals·Film and Television·Film Reviews How to Have Sex (BFI London Film Festival) review – an absolute belter of a feature debut from Molly Manning Walker by Calum Cooper 17th October 2023
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Black Dog (BFI London Film Festival) review – two boys from different sides of the track come together in an assured debut feature by Neil Baker 16th October 2023
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ The Lost Boys (Le Paradis) BFI London Film Festival review – love is the only light in a dark tunnel of failed state care by Neil Baker 10th October 2023
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+·TV and Streaming Reviews Bonus Track (BFI London Film Festival) review – a feel-good rom-com that celebrates gay teenage love through beautifully timed comedy by Neil Baker 6th October 2023
Film and Television·TV and Streaming Reviews Everything Now (Netflix) review – paints itself with shades of reality but never comes close to a complete picture by Sabastian Astley 6th October 2023
1 Hormonal Highs – six hot and heavy films that take us from a dance floor in New York to an isolated Blue Lagoon 8th June 2026
2 Barrio Triste (SXSW London) review – Stillz’s debut feature leaves you both breathless and disoriented as the credits roll 6th June 2026
3 Sad Girlz (Tribeca Festival) review – Tovar’s Double Berlinale Winner is a stunning reflection of girlhood and trauma 6th June 2026
4 Verse (Tribeca Festival) review – Noam Argov explores the interface between our online and offline worlds in this urgent and timely short film 6th June 2026
5 DISC (Tribeca Festival) review – Blake Rice’s one-night stand short is as acidically sweet as a lemon dipped in sugar 6th June 2026
6 Tip Toe (Channel 4) – Russell T Davies discusses culture wars, intolerance and the need for us to face a growing darkness in our society 1st June 2026
7 Kraken (review) – Pål Øie’s creature feature eco-horror wraps its tentacles tightly around you and doesn’t let you go 31st May 2026
8 Sting is to star in a newly adapted version of his musical The Last Ship at the Theatre Royal Drury Lane 31st May 2026
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