Film and Television·Film Reviews Shazam! Fury of the Gods (review) – a bright spot in a hit-and-miss DCEU by Calum Cooper 15th March 2023
Film and Television·Film Reviews·LGBTQ+ Close (review) – Dhont’s film is one of the best coming-of-age films of the past twenty years by Neil Baker 2nd March 2023
Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+ Sublime (review) – Mariano Biasin’s Argentinian coming-of-age gem is truly sublime by Neil Baker 5th February 2023
Film and Television·Film Reviews·Music and Dance·Theatre·Theatre Reviews Heathers the Musical (review) – Lick It Up Baby, Lick. It. Up! by Neil Baker 30th January 2023
Film and Television·Film Reviews Retreat (review) – a claustrophobic and visually stunning exploration of survival and fear by Neil Baker 28th January 2023
Film and Television·TV Lockwood & Co. (Netflix) review – alive with imagination, Joe Cornish’s show is a breath of fresh air by Neil Baker 25th January 2023
Film and Television·Film Reviews The Fabelmans (review) – a testament to the power of cinema, family and art from one of the world’s greatest directors by Calum Cooper 21st January 2023
Film and Television·Film and TV News·LGBTQ+·TV Three great new LGBTQ+ titles coming soon from Peccadillo Pictures by Neil Baker 11th January 2023
Film and Television·Film Reviews·Rewind·Rewind Reviews Fanny and Alexander (1982) rewind review – Bergman’s uniquely magical world leaves you enchanted by Sabastian Astley 3rd December 2022
Film and Television·Film Reviews·NQV Short Films·Short Films Boys Feels: Stand By Me (NQV Media) review – the need for a companion, friend or brother when the pressures of adolescence descend by Neil Baker 21st November 2022
1 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
2 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
3 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
4 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
5 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
6 Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential 20th July 2026
7 The Odyssey (review) – rapturous, spellbinding entertainment – an epic cinematic experience to match its enduring source material 19th July 2026
8 Tight Lettuce (Fantasia Film Festival) review – when does care become enabling, and who dictates when that line has been crossed? 19th July 2026
9 Pimple (Fantasia Film Festival) review – Alle’s story of a toxic pimple, a sebum monster and bullies about to meet a sticky end is a delight 19th July 2026
10 Royal Court Young Playwrights Award 2026 – less like a competition and more like an investment in the future of British theatre 18th July 2026
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