Film and Television Bridget Jones: Mad About the Boy (review) – it’s probably time for Bridget to put down her diary by Calum Cooper 12th February 2025
Film and Television·Rewind Reviews Love Actually (2003) rewind review – Curtis deftly pulls off a movie that should and could have been a festive disaster by Sabastian Astley 6th December 2021
Film and Television·In Focus·LGBTQ+·Music and Dance·Theatre LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV by Neil Baker 6th February 2021
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Supernova (BFI London Film Festival) review: Harry MacQueen’s beautiful portrait of love in the face of loss is deeply intimate by Neil Baker 11th October 2020
Film and Television 1917 (review): Mendes film engulfs the audience in a breathless journey of fear, bravery and eroding innocence by Neil Baker 12th January 2020
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Cinéorama BFI Flare 2018 (reviews) – our coverage from London LGBTQIA+ Film Festival by Neil Baker 2nd April 2018
1 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
2 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
3 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
4 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
5 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
6 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
7 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
8 Rooftop Revolution (review): Hyejin Shin’s play, directed by Gain Amy Park, offers us a gentle reminder that you are not alone
9 Berlinale announces the world premiere of Brett Morgen’s immersive David Bowie “Stage” at the Uber Arena next February
10 Wildwood (review): Laika returns with a riveting and utterly spellbinding feast for the eyes and mind
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