Film and Television·Rewind Reviews Cutting Class (1989) rewind review – should we write off Pallenberg’s movie as a straight-to-VHS dud? Absolutely not! by Neil Baker 22nd January 2026
Film and Television IF (review) – Krasinski’s fun, big-hearted and imaginative journey is an absolute delight by Neil Baker 16th May 2024
Editors' Choice·Film and Television·In Focus·LGBTQ+ Love Sucks! From a bungled bank robbery to a discordant tropical love triangle, these fifteen movies prove love is anything but simple by Neil Baker 5th February 2023
Editors' Choice·Film and Television Babylon (review): a surreal yet oddly sobering spectacle from Damien Chazelle by Calum Cooper 11th January 2023
Film and Television The Lost City (review): Adventure-based romantic comedies are alive and well in this delightful jungle romp by Neil Baker 12th April 2022
1 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
2 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
3 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
4 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
5 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
6 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
7 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
8 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
9 Rooftop Revolution (review): Hyejin Shin’s play, directed by Gain Amy Park, offers us a gentle reminder that you are not alone
10 Berlinale announces the world premiere of Brett Morgen’s immersive David Bowie “Stage” at the Uber Arena next February
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