Editors' Choice·Film and Arts Festivals·Film and Television Brats (Tribeca Review) – Andrew McCarthy explores the power of words in defining public perception and private self-confidence by Neil Baker 12th June 2024
Editors' Choice·Film and Television·In Focus·LGBTQ+ Love Sucks! From a bungled bank robbery to a discordant tropical love triangle, these fifteen movies prove love is anything but simple by Neil Baker 5th February 2023
Editors' Choice·Film and Television·Rewind Reviews Catholic Boys (Heaven Help Us) rewind review – Michael Dinner’s movie never received the same attention many of its 1985 cousins garnered by Neil Baker 10th September 2022
Editors' Choice·Film and Television·Rewind Reviews Less Than Zero (1987) rewind review – Marek Kanievska dissects ’80s wealth, privilege and addiction by Neil Baker 3rd December 2021
1 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
2 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
3 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
4 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
5 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
6 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
7 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
8 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
9 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
10 Rooftop Revolution (review): Hyejin Shin’s play, directed by Gain Amy Park, offers us a gentle reminder that you are not alone
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