Andrew Garfield

Film and Arts Festivals·Film and Television

After the Hunt (BFI London Film Festival) review – Guadagnino’s picture feels uncharacteristically uncertain of itself

by Calum Cooper

13th October 2025

Film and Television·LGBTQ+·Rewind

Love Sucks! and these fifteen movies prove it!

by Neil Baker

5th February 2023

Film and Television

Mainstream (review) – a complex satire that hits the mark several times in its dissection of our social media-driven world

by Neil Baker

18th June 2022

Film and Television·LGBTQ+

The Eyes of Tammy Faye (review) – praise be to Jessica Chastain

by Neil Baker

10th February 2022

Film and Television

Spider-Man: No Way Home (review) – Jon Watts brings us the best Spider-Man film to date

by Sabastian Astley

17th December 2021

Film and Television·LGBTQ+·Music and Dance·Theatre

Tick Tick… BOOM! – a glorious celebration of Jonathan Larson’s creativity

by Neil Baker

21st November 2021

Film and Television·LGBTQ+·Music and Dance·Rewind·Theatre

LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV

by Neil Baker

6th February 2021

After the Hunt (BFI London Film Festival) review – Guadagnino’s picture feels uncharacteristically uncertain of itself

Love Sucks! and these fifteen movies prove it!

Mainstream (review) – a complex satire that hits the mark several times in its dissection of our social media-driven world

The Eyes of Tammy Faye (review) – praise be to Jessica Chastain

Spider-Man: No Way Home (review) – Jon Watts brings us the best Spider-Man film to date

Tick Tick… BOOM! – a glorious celebration of Jonathan Larson’s creativity

LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV

Latest Posts

The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment

The Wolf (review) – an observational meditation on queer love and life in contemporary China

Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI

Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year

No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable

Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics

Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty

The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow

Attack on Paradise (Fantasia Film Festival) review – a high-octane crime action thriller that never quite reaches its full potential

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