Film and Arts Festivals·Film and Television After the Hunt (BFI London Film Festival) review – Guadagnino’s picture feels uncharacteristically uncertain of itself by Calum Cooper 13th October 2025
Film and Television·LGBTQ+·Rewind Love Sucks! and these fifteen movies prove it! by Neil Baker 5th February 2023
Film and Television Mainstream (review) – a complex satire that hits the mark several times in its dissection of our social media-driven world by Neil Baker 18th June 2022
Film and Television·LGBTQ+ The Eyes of Tammy Faye (review) – praise be to Jessica Chastain by Neil Baker 10th February 2022
Film and Television Spider-Man: No Way Home (review) – Jon Watts brings us the best Spider-Man film to date by Sabastian Astley 17th December 2021
Film and Television·LGBTQ+·Music and Dance·Theatre Tick Tick… BOOM! – a glorious celebration of Jonathan Larson’s creativity by Neil Baker 21st November 2021
Film and Television·LGBTQ+·Music and Dance·Rewind·Theatre LGBTQ+ From Stage to Screen – groundbreaking plays and shows adapted for film and TV by Neil Baker 6th February 2021
1 Minotaur (BFI London Film Festival) review: Zvyagintsev’s film is a grim, gripping and haunting cinematic experience
2 Julie Hesmondhalgh will receive the Lifetime Achievement Award at the inaugural Great British Theatres Awards this November
3 Studiocanal Classics has announced the 20th Anniversary 4K Re-release of Guillermo Del Toro’s masterpiece Pan’s Labyrinth
4 7 Miles Out (BFI London Film Festival) review: Carol Morley’s coming-of-age film enthrals, delights and brings a tear to the eye
5 Elephants in the Fog (BFI London Film Festival) review: Abinash Bikram Shah’s debut feature is a masterclass in atmospheric immersion
6 The Nature of Forgetting (review): Movement, images and live music explore human life and relationships in Theatre Re’s striking production
7 Counterattack: Youth (review): A real pub setting elevates the intimacy between four lifelong friends in Gain Amy Park’s drama
8 Black Church Bay (BFI London Film Festival) review: Jones film is muddy, grey and open-ended as its knotty, unnerving tale unfolds
9 Josephine (BFI London Film Festival) review: De Anaújo and team cut to the bone of dense issues with devastating precision
10 Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date
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