Editors' Choice·Film and Television·Film and Theatre Reviews·LGBTQ+ Solo (review) – Dupuis’s film is alive with the vibrant energy of Montreal’s gay scene, yet full of shadows when the spotlight fades by Neil Baker 11th September 2025
Editors' Choice·Film and Television·Film and Theatre Reviews·In Focus The Agatha Christie Collection (rewind review) – four stunning, must-own 4K restorations in one essential box set from StudioCanal by Neil Baker 10th September 2025
Editors' Choice·Film and Television·Film and Theatre Reviews·LGBTQ+ Little Trouble Girls (review) – a visually spellbinding and strikingly acted gem of a film by Calum Cooper 8th September 2025
Film and Television·Film and Theatre Reviews·LGBTQ+·NQV Short Films·Short Films The Male Gaze: Secrets and Lies (NQV Media) review – six sizzling short films exploring secrets, lies, love and friendship by Neil Baker 8th September 2025
Editors' Choice·Film and Television·Film and Theatre Reviews The Long Walk (review) – a bloody, visceral, intense and compelling dystopian thriller by Calum Cooper 4th September 2025
Film and Television·Film and Theatre Reviews The Conjuring: Last Rites (review) – a competent but ultimately disappointing final case for the Warrens by Calum Cooper 3rd September 2025
Film and Television·Film and Theatre Reviews The Roses (review)- a pale imitation of DeVito’s superior film rather than a modern interpretation of the same story by Calum Cooper 27th August 2025
Editors' Choice·Film and Arts Festivals·Film and Television·Film and Theatre Reviews Healing Andy (FrightFest) review – a wild, wicked and always witty found footage gem by Neil Baker 24th August 2025
Film and Arts Festivals·Film and Television·Film and Theatre Reviews The Haunting at Jack the Ripper’s House (FrightFest) review – a mildly entertaining but sadly confused haunted house flick by Neil Baker 24th August 2025
Film and Arts Festivals·Film and Television·Film and Theatre Reviews Your Host (FrightFest) review – not even the twisted performance of Haley can save Medoff’s film from its own self-inflicted wounds by Neil Baker 23rd August 2025
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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