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Editors' Choice·Film and Television·LGBTQ+·TV

We Are Who We Are (BBC Three) review – an intimate portrait of emerging identity, conformity and rebellion

by Neil Baker

25th November 2020

Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+

Uncle Frank (Sundance London) review – a road trip rooted in healing, revelation, self-forgiveness and rebirth

by Neil Baker

25th November 2020

Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+

Cicada (BFI London Film Festival) review – love and companionship open a door to rebirth and recovery

by Neil Baker

14th October 2020

Film and Television·LGBTQ+·TV

Getting It – Tom Heard on the art, love, companionship, and belonging at the heart of his latest film

by Neil Baker

18th September 2020

Film and Television·Film Reviews

I Used to Go Here (review) – a light-hearted, fresh comedy drama that never falls into lazy stereotypes or clichés

by Neil Baker

10th September 2020

Christine 1983 rewind review

Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews

Christine (1983) rewind review – puts the pedal to the metal and, unlike many horrors, doesn’t run out of gas halfway through

by Neil Baker

31st August 2020

Editors' Choice·Film and Television·Film Reviews·Rewind·Rewind Reviews

Terminator 2: Judgement Day (1991) – a film that genuinely shook the landscape of filmmaking and, with it, audience expectations

by Neil Baker

1st July 2020

Film and Arts Festivals·Film and Television·Film Reviews·LGBTQ+

Keith Haring: Street Art Boy (Sheffield DocFest) review – when does art become political activism, and when does political activism become art?

by Neil Baker

26th June 2020

Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+

Welcome to Chechnya (Sheffield DocFest) review – the atrocities of state-orchestrated hate and the indifference of global governments

by Neil Baker

20th June 2020

Film and Television·Film Reviews·LGBTQ+·TV

Scream Queen! My Nightmare on Elm Street (review) – brave and personal, but urgent themes are clouded by a continuing fear of rejection

by Neil Baker

10th June 2020

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