Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Twinless (review) – Sweeney’s film certainly isn’t identical to any other film out there; it’s a one-of-a-kind by Neil Baker 26th September 2025
Film and Arts Festivals·Film and Television Scrapper (Sundance) review – a delightful feature debut full of heart, humour and love by Neil Baker 9th July 2023
Film and Arts Festivals·Film and Television Pleasure (Sundance London) review – an unflinching exploration of the porn industry’s dark heart by Sabastian Astley 31st July 2021
Film and Arts Festivals·Film and Television Misha and the Wolves (Sundance London) review – Hobkinson dismantles the very genre he embraces by Sabastian Astley 31st July 2021
Film and Arts Festivals·Film and Television Human Factors (Sundance London) review – splinters the story into strands with little connection to one another by Sabastian Astley 30th July 2021
Film and Arts Festivals·Film and Television Zola (Sundance London) review – a story crazier on paper than it is on screen by Sabastian Astley 29th July 2021
Film and Arts Festivals·Film and Television·Music and Dance The Sparks Brothers (Sundance London) review – a love letter to creativity, difference and artistic resolve by Sabastian Astley 28th July 2021
Film and Arts Festivals·Film and Television The Blazing World (Sundance London) review – a beautifully demented fairytale by Sabastian Astley 27th July 2021
Film and Arts Festivals·Film and Television·LGBTQ+ The Most Beautiful Boy in the World (review) – an insightful and powerful exploration of a fame never sought, and a beauty brought and sold by Neil Baker 26th July 2021
Film and Arts Festivals·Film and Television·LGBTQ+ Uncle Frank (Sundance London) review – a road trip rooted in healing, revelation, self-forgiveness and rebirth by Neil Baker 25th November 2020
1 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
3 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
4 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
5 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
6 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
7 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
8 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
9 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch
10 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites
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