Sundance

Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+

Twinless (review) – Sweeney’s film certainly isn’t identical to any other film out there; it’s a one-of-a-kind

by Neil Baker

26th September 2025

Film and Arts Festivals·Film and Television

Scrapper (Sundance) review – a delightful feature debut full of heart, humour and love

by Neil Baker

9th July 2023

Film and Arts Festivals·Film and Television

Pleasure (Sundance London) review – an unflinching exploration of the porn industry’s dark heart

by Sabastian Astley

31st July 2021

Film and Arts Festivals·Film and Television

Misha and the Wolves (Sundance London) review – Hobkinson dismantles the very genre he embraces

by Sabastian Astley

31st July 2021

Film and Arts Festivals·Film and Television

Human Factors (Sundance London) review – splinters the story into strands with little connection to one another

by Sabastian Astley

30th July 2021

Film and Arts Festivals·Film and Television

Zola (Sundance London) review – a story crazier on paper than it is on screen

by Sabastian Astley

29th July 2021

Film and Arts Festivals·Film and Television·Music and Dance

The Sparks Brothers (Sundance London) review – a love letter to creativity, difference and artistic resolve

by Sabastian Astley

28th July 2021

Cinerama Film, Theatre, LGBTQIA+ and TV

Film and Arts Festivals·Film and Television

The Blazing World (Sundance London) review – a beautifully demented fairytale

by Sabastian Astley

27th July 2021

Film and Arts Festivals·Film and Television·LGBTQ+

The Most Beautiful Boy in the World (review) – an insightful and powerful exploration of a fame never sought, and a beauty brought and sold

by Neil Baker

26th July 2021

Film and Arts Festivals·Film and Television·LGBTQ+

Uncle Frank (Sundance London) review – a road trip rooted in healing, revelation, self-forgiveness and rebirth

by Neil Baker

25th November 2020

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