Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Young Hearts (Berlinale Review) – a beautiful portrait of the emotions, uncertainties, and excitement of first love by Neil Baker 23rd February 2024
Editors' Choice·Film and Television·LGBTQ+·NQV Short Films·Short Films The Male Gaze: Risk Appeal (NQV Media) review – five short film exploring risk, reward and regret by Neil Baker 12th January 2024
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Saltburn (BFI London Film Festival) review: Fennell carves up wealth and privilege like a rare fillet steak on Victorian bone china by Neil Baker 12th October 2023
Film and Arts Festivals·Film and Television·LGBTQ+ Summer Qamp (TIFF) review – Markowitz celebrates the power of youth work to build bridges and change lives by Neil Baker 16th September 2023
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+·Music and Dance Chuck Chuck Baby (TIFF) review: Janis Pugh offers us a genre-defying ode to love, loss, female friendship, and second chances by Neil Baker 10th September 2023
Film and Television The Passenger (MGM+) review – Carter Smith’s thrilling road trip is taut, violent and psychologically complex by Neil Baker 2nd September 2023
Editors' Choice·Film and Television·In Focus·LGBTQ+ TV Choice: Single, Out (season one) – Lee Galea and Will Hutchins on coming out, first relationships and messy adolescent feelings by Neil Baker 19th August 2023
Film and Television·In Focus·LGBTQ+ Lie With Me: Olivier Peyon on adapting classic literature, family secrets, father-son relationships, and the need for healing by Neil Baker 8th August 2023
Film and Television Meg 2: The Trench (Review) – extinction was a kinder fate to Megalodon than this megalo-dung of a film by Calum Cooper 5th August 2023
Editors' Choice·Film and Television·In Focus Summer Holiday Kids’ Movies: Ten great films to keep the young ones entertained this summer by Neil Baker 24th July 2023
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
Follow Us