Film and Arts Festivals·Film and Television You Can Call Me Bill (BFI London Film Festival) review – a surprisingly tender, loving and enthralling documentary by Neil Baker 9th October 2023
Film and Television·Rewind Star Trek IV: The Voyage Home (1986) rewind review – a striking and urgent environmental message comes from the most unexpected of places by Neil Baker 1st July 2023
Film and Television Star Trek: Picard (season three) review – the final outing of The Next Generation crew we have waited so long to see by Neil Baker 1st May 2023
Film and Television Star Trek: Strange New Worlds (season one) review – a colourful and magical return to a bygone TV format by Neil Baker 8th July 2022
Film and Television·Rewind Star Trek II: The Wrath of Khan (1982) – a love letter to the classic war movie, the revenge thriller and Shakespeare’s tragedies by Neil Baker 20th June 2022
1 Tao of Glass (review) – music, puppetry and shadow play sit alongside fragments of thought about dreams, life and death
2 Her Worm (review) – a deliciously dark, lovingly crafted short film that asks us all to reflect on the real parasites in our midst
3 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
5 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
6 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
7 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
8 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
9 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
10 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
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