Editors' Choice·Film and Arts Festivals·Film and Television·Short Films Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory by Neil Baker 12th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows by Neil Baker 12th October 2026
Film and Television The Social Reckoning (review): Sorkin’s film is rightfully furious about where we are and where we’re going, but it lacks dramatic punch by Calum Cooper 9th October 2026
Editors' Choice·Film and Arts Festivals·Film and Television·Short Films Shrimp Fried Rice (review) – sizzling, satisfying and scrumptious, Dylan Pun’s salty-sweet short film is now streaming on YouTube by Neil Baker 20th September 2026
Editors' Choice·Theatre The Children (review) – Kirkwood’s exploration of social responsibility raises a deeply personal question: What would I do? by Jane Jung 19th September 2026
Arts·Editors' Choice·Film and Arts Festivals·Music and Dance·Theatre Explore the full line-up of the 20th Bloomsbury Festival, with highlights from outgoing Festival Director Rosemary Richards by Neil Baker 17th September 2026
Editors' Choice·Film and Arts Festivals·Film and Television Ah Girl (TIFF) review: Ang Geck Geck Priscilla shows remarkable skills with child performers in her intimate and bittersweet drama by Rino Lu 12th September 2026
Editors' Choice·Film and Television·LGBTQ+ Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt by Neil Baker 5th September 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+·Short Films Geronto (review): Sherwood and Pluck’s short film is a poignant, beautiful and powerful exploration of age-difference intimacy by Neil Baker 15th August 2026
Editors' Choice·Theatre Language of Joe and Cho (Camden Fringe) review – a debut that leaves us looking forward to what Donghyun Lim creates next by Jane Jung 10th August 2026
1 Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction
2 Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming
3 These Violent Delights (review): Hampson and Sansom’s passionate take on Romeo and Juliet marks the arrival of a new generation
4 Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory
5 Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows
6 Franz & Marie (review): Howard and Oakley’s poignant tragedy comes to life through folk music and performance
7 Elsinore (BFI London Film Festival) review: Scott’s powerful performance drives Stone’s exquisite story of Charleson’s Hamlet
8 The Social Reckoning (review): Sorkin’s film is rightfully furious about where we are and where we’re going, but it lacks dramatic punch
9 The Devil Is in Me (BFI London Film Festival) review – Salisbury’s timeless exploration of teenage rebellion is wickedly sharp
10 Bundle (BFI London Film Festival) review – a young man’s world collapses into a suffocating nightmare of no escape in Milillo’s powerful short
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