Editors' Choice·Film and Arts Festivals·Film and Television Ah Girl (TIFF) review: Ang Geck Geck Priscilla shows remarkable skills with child performers in her intimate and bittersweet drama by Rino Lu 12th September 2026
Film and Television·LGBTQ+·NQV Short Films·Short Films Upon Her Lips: She Likes Girls (NQV Media) review – love, separation and transformation through a global female lens by Neil Baker 4th April 2026
Film and Arts Festivals·Film and Television We Are All Strangers (Berlinale) review – Chen constructs a family portrait that preserves human dignity even as it repeatedly falters by Rino Lu 25th February 2026
Editors' Choice·Film and Arts Festivals·Film and Television Filipiñana (Berlinale) review: Rafael Manuel’s bold debut feature is a sensory adventure in vision and sound by Neil Baker 21st February 2026
1 7 Miles Out (BFI London Film Festival) review: Carol Morley’s coming-of-age film enthrals, delights and brings a tear to the eye
2 Elephants in the Fog (BFI London Film Festival) review: Abinash Bikram Shah’s debut feature is a masterclass in atmospheric immersion
3 The Nature of Forgetting (review): Movement, images and live music explore human life and relationships in Theatre Re’s striking production
4 Counterattack: Youth (review): A real pub setting elevates the intimacy between four lifelong friends in Gain Amy Park’s drama
5 Black Church Bay (BFI London Film Festival) review: Jones film is muddy, grey and open-ended as its knotty, unnerving tale unfolds
6 Josephine (BFI London Film Festival) review: De Anaújo and team cut to the bone of dense issues with devastating precision
7 Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date
8 Whalefall (review): Austin Abrams is swallowed whole by a sperm whale in a bizarre rather than exciting survival movie
9 TV Choice: Brad Caleb Kane breathes new life into the Friday the 13th franchise this Halloween as we return to Crystal Lake
10 Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real and organic in construction
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