Theatre Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI by Jane Jung 25th July 2026
Editors' Choice·Film and Arts Festivals·Film and Television Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year by Neil Baker 24th July 2026
Film and Arts Festivals·Film and Television Tubi has been announced as the 2026 headline sponsor for FrightFest, the UK’s premier horror film festival by Neil Baker 7th July 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Fantasia International Film Festival celebrates its 30th Edition with a stellar selection of features, workshops, events and shorts by Neil Baker 3rd July 2026
Film and Television Supergirl (review) – Millie Alcock shines in an otherwise shaky continuation of James Gunn’s DCU by Calum Cooper 24th June 2026
Film and Television·GALECA Dorian Awards·LGBTQ+ Heated Rivalry, Hacks, Pluribus, The Pitt and Half Man Lead LGBTQ+ Critics’ Dorian TV Award Nominations by Neil Baker 18th June 2026
Editors' Choice·Theatre The Last Man (review) – a social and emotional landscape that may be unfamiliar, yet unexpectedly recognisable by Jane Jung 10th June 2026
Arts·Editors' Choice·Film and Television In Other Worlds, the first major UK solo exhibition from Liam Young, is to open at the Barbican by Neil Baker 29th April 2026
Editors' Choice·Film and Television·Rewind So Bad They’re Good (rewind review) – the terrifically terrible Troll (1986) and Tammy and the T-Rex (1994) by Neil Baker 27th April 2026
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Chatlines (review) – an emotional rollercoaster full of humour, love and hope, that carves a place in the heart and demands multiple viewings by Neil Baker 7th April 2026
1 Billy Liar (1963) rewind review – Schlesinger’s truly stunning coming-of-age film continues to speak to the experiences of young people today 29th July 2026
2 The Mortuary Assistant (review) – Jeremiah Kipp’s horror game adaptation juggles supernatural terror and psychological torment 27th July 2026
3 The Wolf (review) – an observational meditation on queer love and life in contemporary China 25th July 2026
4 Robota (review) – the Schwarzman Centre reimagines Čapek’s classic in examining what it means to be human in the age of AI 25th July 2026
5 Home Bodies (Fantasia Film Festival) review – one of the most inventive, unique and enthralling science fiction films of the year 24th July 2026
6 No Rest for the Wicked (Fantasia Film Festival) review – hauntingly beautiful, Kalle’s adaptation of Ulrichs’ Manor is unmissable 23rd July 2026
7 Pinocchio: Unstrung (review) – Rhys Frake-Waterfield’s movie is a sordid, cynical and shoddy exploitation flick with even cheaper ethics 23rd July 2026
8 Animal Farm (2026) review – Serkis’s film butchers Orwell’s source material so thoroughly it could be branded animal cruelty 21st July 2026
9 The Virgin Suicides (2000) rewind review – Sophia Coppola’s film is a girlhood classic that balances sweetness, sweatiness and sorrow 21st July 2026
10 Blue Mist (UK Tour) review – Who has the authority to define another person’s story? And who decides what counts as an “authentic voice?” 21st July 2026
Follow Us