Film and Arts Festivals·Film and Television·LGBTQ+ Calls from Moscow (Llamadas desde Moscú) BFI Flare review – economic migration and individual oppression by Neil Baker 14th March 2024
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Riley (BFI Flare) review – Benjamin Howard’s feature debut scores a winning touchdown by Neil Baker 13th March 2024
Editors' Choice·Film and Television·LGBTQ+ TV Choice: Mary & George (Sky) – a sumptuous, enthralling, witty, and devilishly horny drama by Neil Baker 6th March 2024
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Baldiga – Unlocked Heart (Berlinale) review – the artistic drive, life and love of a man who defied conventions by Neil Baker 25th February 2024
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+·Short Films Un invincible été “Invincible Summer” (Berlinale) review – the celebrated beauty of youth and the invisibility of old age by Neil Baker 24th February 2024
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Young Hearts (Berlinale Review) – a beautiful portrait of the emotions, uncertainties, and excitement of first love by Neil Baker 23rd February 2024
Editors' Choice·Film and Television·LGBTQ+ TV Choice: Big Boys (series two): Jack Rooke’s second series is a hilarious and heartwarming delight by Neil Baker 16th January 2024
Editors' Choice·Film and Arts Festivals·Film and Television·In Focus·LGBTQ+ The Lost Boys (Le Paradis): Zeno Graton on Jean Genet, perpetual adolescence, and love and tenderness behind bars by Neil Baker 13th December 2023
Film and Television·LGBTQ+ Every Body (review) – a powerful call for equity, change and education by Neil Baker 11th December 2023
Editors' Choice·Film and Television·LGBTQ+ Eldorado: Everything the Nazis Hate (Netflix) review – a powerful, emotional and urgent exploration of our shared LGBTQ+ history by Neil Baker 4th November 2023
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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