Editors' Choice·Film and Television·LGBTQ+ TV Choice: Red, White & Royal Blue (Prime Video) – crack open the fizz and celebrate the adorable union of Alex and Henry by Neil Baker 10th August 2023
Film and Television·In Focus·LGBTQ+ Lie With Me: Olivier Peyon on adapting classic literature, family secrets, father-son relationships, and the need for healing by Neil Baker 8th August 2023
Editors' Choice·Film and Television·LGBTQ+ TV Choice: Heartstopper (series two) – far more than just a school outing, this trip to Paris is a rite of passage that changes everything by Neil Baker 6th August 2023
Film and Arts Festivals·Film and Television·LGBTQ+ Kokomo City (review) – D. Smith’s intimate documentary is authentic, honest and uninhibited by Neil Baker 2nd August 2023
Film and Television·LGBTQ+ One of the Boys (Viaplay) review – a summer camp of revelations, hidden desire and uncertain love by Neil Baker 1st August 2023
Film and Arts Festivals·Film and Television·LGBTQ+ The Mattachine Family (Outfest) review – Vallentine’s film isn’t afraid to ask how equality has changed the gay experience by Neil Baker 22nd July 2023
Editors' Choice·Film and Arts Festivals·Film and Television·LGBTQ+ Down Low (Outfest) review – Doyle’s debut feature is delightfully fresh and different as it joyously subverts audience expectations by Neil Baker 20th July 2023
Film and Arts Festivals·Film and Television·LGBTQ+ Studio One Forever (Outfest) review – a love letter to a temple of gay freedom and dance by Neil Baker 19th July 2023
Film and Arts Festivals·Film and Television·LGBTQ+·Short Films Love, Jamie (Outfest) review – a friendship born through prose, conversation and art by Neil Baker 12th July 2023
Editors' Choice·Film and Television·In Focus·LGBTQ+ TV Choice: Changing Ends and Beautiful People: Growing up gay in 1980s and 1990s Britain was no walk in the park by Neil Baker 2nd June 2023
1 Ebenezer (review): West’s love of horror creates a spooky, wickedly atmospheric feel that Depp’s overacting frequently undercuts
2 Prima Facie (review): Susanna White’s film adaptation of Miller’s powerful and urgent stage play never quite finds its cinematic voice
3 The Male Gaze: Good Vibrations (review) – seven stunning coming-of-age short films exploring good vibrations, expectations, and excitations
4 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
5 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
6 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
7 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
8 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
9 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
10 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
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