Editors' Choice·Film and Television·In Focus Leaving Las Vegas (1995): Mike Figgis’ haunting epitaph is a powerful, timeless exploration of unconditional love, beauty and pain by Neil Baker 18th May 2026
Film and Television Renfield (review): Funny, well-crafted, and deliciously entertaining, Chris McKay’s movie isn’t short on bite by Calum Cooper 13th April 2023
Film and Television·In Focus Kick-Ass (2010): A colourful commentary on how one person can make a difference, even without special powers by Neil Baker 21st May 2021
Film and Television Willy’s Wonderland (review) – decapitations and mutilations soaked in violent spurts of oil by Sabastian Astley 19th April 2021
1 Nero (review): Andrew Barth Feldman’s captivating performance drives the London production of Sater and Sheik’s musical
2 Christmas Theatre Guide 2026: Our live guide to theatre, events and colourful family shows this festive season
3 La Bola Negra (review): Javier Calvo and Javier Ambrossi’s film is an ode to LGBTQ+ resilience, both historical and contemporary
4 The Great British Theatres Awards, organised by Theatres Trust, announce the winners of the inaugural awards at a star-studded ceremony
5 Wild Horse Nine (review): Anchoring this funny, poignant mix of gallows humour and rumination is John Malkovich’s best performance in years
6 TV Choice: From tropical seas to open oceans and the deep, Blue Planet III on BBC One ventures deeper beneath the waves than ever before
7 Wicker (review): Fischer and Wilson’s film dilutes its strengths with passive protagonists, and storytelling as flaunting as it is meandering
8 Rooftop Revolution (review): Hyejin Shin’s play, directed by Gain Amy Park, offers us a gentle reminder that you are not alone
9 Berlinale announces the world premiere of Brett Morgen’s immersive David Bowie “Stage” at the Uber Arena next February
10 Wildwood (review): Laika returns with a riveting and utterly spellbinding feast for the eyes and mind
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