Film and Television·LGBTQ+·Rewind Love Sucks! and these fifteen movies prove it! by Neil Baker 5th February 2023
Film and Television·Music and Dance·Theatre Heathers the Musical (review) – Lick It Up Baby, Lick. It. Up! by Neil Baker 30th January 2023
Film and Arts Festivals·Film and Television·LGBTQ+ Bones and All (BFI London Film Festival) review – a cinematic banquet of bone-chilling horror, love and loss by Neil Baker 24th October 2022
Editors' Choice·Film and Television·Rewind The Rules of Attraction (2002) rewind review – a challenging and intoxicating bubble of hormone-driven decisions by Neil Baker 25th September 2022
Film and Arts Festivals·Film and Television Sorry About the Demon (FrightFest) review – whip out the crucifix and bless the bottled water for some devilish fun by Neil Baker 30th August 2022
Film and Television·Rewind Slow West (2015) – a foolhardy journey, built on teenage love, slowly crumbles in a world of cruelty and violence by Neil Baker 8th May 2022
Editors' Choice·Film and Television·Rewind Hepburn and Tracy – Agnes Sajti looks back at the movies at the heart of a golden Hollywood partnership by Agnes Sajti 7th May 2022
Film and Arts Festivals·Film and Television·LGBTQ+·Short Films BFI Flare Short Films 2022 – Ten unmissable LGBTQIA+ shorts by Neil Baker 19th March 2022
Editors' Choice·Film and Television·Rewind Deep End (1970) rewind review – a reminder of just how horrific first love and first lust can be by Neil Baker 13th March 2022
Editors' Choice·Film and Television Licorice Pizza (review) – a sun-drenched trip back to a decade when anything seemed possible by Neil Baker 22nd February 2022
2 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
3 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
4 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
5 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
6 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
7 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
8 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch
9 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites
10 Colony (FrightFest) review – a taut atmosphere and a palpable urgency make for a gripping, if rather generic, zombie horror
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