Film and Television Joe Alwyn joins Rachel Weisz and Matthew Macfadyen for Tomas Alfredson’s Seance on a Wet Afternoon by Neil Baker 10th March 2026
Editors' Choice·Film and Arts Festivals·Film and Television Hamnet (BFI London Film Festival) review – a tender, heart-aching ode to family and how loss forms the basis of great art and humanity by Calum Cooper 13th October 2025
Editors' Choice·Film and Television The Brutalist (review) – blistering, soulful and utterly engrossing by Calum Cooper 23rd January 2025
Film and Television We take a first look at Yorgos Lanthimos’ Kinds of Kindness by Neil Baker 11th April 2024
Film and Television·LGBTQ+·Rewind Kings & Queens – a coronation-worthy collection of movies and shows by Neil Baker 6th May 2023
Film and Television·LGBTQ+ Boy Erased (review) – the power given to damaged and dangerous preachers of hate by Neil Baker 10th February 2019
1 Blue Film: Elliot Tuttle on his provocative, nuanced, artistically ambitious exploration of trauma, memory, identity and guilt
3 Leviticus: The true horror of religious fundamentalism, conversion practices and community oppression
4 Berlinale Generation at 50: The Crystal Bears are to take centre stage at the Berlinale Palast in 2027
5 Bad Karaoke (FrightFest) review – Lightbody and Steinmiller Jr.’s fabulously fun popcorn horror hits all the right notes
6 Vleesdag (Meat Kills) FrightFest review – Smits’ slaughterhouse horror refuses to play by the established rules
7 Ithaqua (FrightFest) review – a rush to action shatters much of the tension and horror of the opening act in Walker’s movie
8 The Brook (FrightFest) review: Paul Stainthorpe’s first blood feature is an ambitious, smart, atmospheric, and engaging small-town mystery
9 TV Choice: Mia-Kate Russell’s sapphic revenge slasher, Penny Lane is Dead, streaming on Shudder, delivers one hell of a sucker punch
10 Great films live forever with Studiocanal Classics, from restored theatrical re-releases to unmissable home entertainment favourites
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