Film and Arts Festivals·Film and Television·Film Reviews·Music and Dance Springsteen: Deliver Me from Nowhere (BFI London Film Festival) review – Cooper keeps us at a distance from the man and the artist by Neil Baker 18th October 2025
Editors' Choice·Film and Television·Film Reviews The Iron Claw (review) – a gripping lambasting of pressure over individuality in a story as powerful as a body slam by Calum Cooper 8th February 2024
Film and Television·Film and TV News Lionsgate UK acquires the UK and Ireland distribution rights for A24’s The Iron Claw by Neil Baker 23rd November 2023
1 Life Support (Sheffield DocFest) review – Daniele Rugo’s documentary should be shown on every big screen across our land and beyond 14th June 2026
2 Saved! (2004) rewind review – Dannelly’s movie is razor sharp in its humour, yet tender in its exploration of love, faith and community 14th June 2026
3 Footloose (1984) rewind review – an early ’80s gift that many mistakenly dismiss as a mere musical jukebox movie 13th June 2026
4 Rose’s House (Sheffield DocFest) review – a historical and contemporary celebration of community, resilience, transformation and change 13th June 2026
5 On the Road (SXSW London) review – Pablos’ unfiltered, charged, and brutally authentic movie is a visceral cinematic experience 12th June 2026
6 Rare Birds (Tribeca Festival) review – Weisberg’s short film is about what it means to be human, and the social barriers that divide us 11th June 2026
7 The Remedy (SXSW London) review – Kahuam’s film is chilling, disturbing, and utterly enthralling 10th June 2026
8 The Last Man (review) – a social and emotional landscape that may be unfamiliar, yet unexpectedly recognisable 10th June 2026
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